After playing around with stereo microphones I realized that there is a major fault with prosumer video cameras: they should have a MS stereo microphone as their built-in mic.
As we all know, Mid-Side stereo has two microphones, cardioid or hypercardioid pointing ahad (M) and figure-of-eight behind (or above/under) it pointing sideways (S). By summing the signals we get left (M+S) and right (M-S) channels. This also makes a perfect mono signal, either use only the M mic, or sum the L and R signals (M+S+M-S=2M). By varying the level of S signal we can adjust the stereo spread, also during edit.
So, with this arrangement we could either use the buit-in mic as usual in stereo, or pick only the (hyper)cardioid M to one channel, use the other channel for boom shotgun, wireless, whatever. Also to record separate M and S signals to be matrixed later. Actually even matrixed LR signal yields M and S: L-R = 2S, L+R=2M, having a LR-MS switch would just be convenient.
In all cameras I have used so far using the built-in mic for a backup channel meant getting only one channel (DVX100), if any (HX-A1). The system described above would make life easier.
Canon, Sony, Pana, are you listening?
As we all know, Mid-Side stereo has two microphones, cardioid or hypercardioid pointing ahad (M) and figure-of-eight behind (or above/under) it pointing sideways (S). By summing the signals we get left (M+S) and right (M-S) channels. This also makes a perfect mono signal, either use only the M mic, or sum the L and R signals (M+S+M-S=2M). By varying the level of S signal we can adjust the stereo spread, also during edit.
So, with this arrangement we could either use the buit-in mic as usual in stereo, or pick only the (hyper)cardioid M to one channel, use the other channel for boom shotgun, wireless, whatever. Also to record separate M and S signals to be matrixed later. Actually even matrixed LR signal yields M and S: L-R = 2S, L+R=2M, having a LR-MS switch would just be convenient.
In all cameras I have used so far using the built-in mic for a backup channel meant getting only one channel (DVX100), if any (HX-A1). The system described above would make life easier.
Canon, Sony, Pana, are you listening?