White balance of a sequence shot from inside to outside

K

Kenneth Lau

Active member
I always see a shot in movies where the camera float from inside, following the character to outside in one single shot.

Was wondering what kind of white balance setting you set for this kind of camera work, and how would you light it when you have both daylight and tungsten light source in a single scene.

Anyone interested in sharing your knowledge with me?
 
Most likely they are not using tungsten as a light source. Most light the interior with HMI's or Kino Flos and then do an aperture pull as they leave the house. Or they really roast the inside of the house/building.
 
Last edited:
Paul Hudson said:
Most likely they are not using tungsten as a light source. Most light the interior with HMI's or Kino Flos and then do an aperture pull as they leave the house. Or the really roast the inside of the house/building.
Click to expand...

Or if all you have is tungsten fixtures use CTB to bring it to daylight color temp.
 
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