I have a question about the proper process in doing narrations for a documentary or film. In my case, I'm doing a travel documentary.
When collaborating with a narrator that already has a script for the doc, is the "right process" to let them see the footage so they can do their job in the studio or should they just go into the studio and read their script without the footage?
I ask because if they have the script, why do they need to see the footage? I may end up changing around the footage sequence anyway. So I never want them to fall love with what they're looking at in general.
As an editor, Am I wrong for feeling this way?
What is the professional way in doing this process?
When collaborating with a narrator that already has a script for the doc, is the "right process" to let them see the footage so they can do their job in the studio or should they just go into the studio and read their script without the footage?
I ask because if they have the script, why do they need to see the footage? I may end up changing around the footage sequence anyway. So I never want them to fall love with what they're looking at in general.
As an editor, Am I wrong for feeling this way?
What is the professional way in doing this process?