Dustin Wadsworth
Active member
The few claims I made aren't bull crap. I don't need a tutorial for sound booth I understand what the tools can do. I own it and I've tried to use it but I see little advantage to it over the tools in sony vegas, let alone audition.
I actually do score with other programs and vegas, though I've never had to make a comprehensive score. So if your using it for scoring than thats cool, if the workflow suits you than great but I'm not claiming it has a crappy workflow. The tools for cleaning and enhancing audio are what I'm complaining about.
Sound booth is just flat out not as powerful as a program like adobe audition for cleaning up sound, you can't argue that and I can make a strong argument for Vegas being better for controlling audio. The link I posted does a good job of showing the contrast between audition and soundbooth.
It's all based on needs as you suggest. If Soundbooth with PPro suits you than awesome.
I need more control over my sound which I can have in Vegas. CS4 is awesome, I'll be using it for a project after I type this but in terms of audio I don't think it comes close to something like Vegas alone and not even in the same ball park of vegas with audition (which you can set up to open audio files by hitting Ctrl-e.) Give vegas some credit for what you get for the price for goodness sakes!
Frequency analysis is like training wheels. It's a way to learn to hear. I don't use it any more, and I don't know a whole lot of professionals that do. I was in technicolor getting some film color timed and I asked the colorist if he uses his scopes anymore and he said not really, he just looks at the screen. Same sort of thing. You need a good pair of monitors way more than you need a frequency analyzer!
Sorry for getting a bit of topic pcascio, hope any of this is useful.
I actually do score with other programs and vegas, though I've never had to make a comprehensive score. So if your using it for scoring than thats cool, if the workflow suits you than great but I'm not claiming it has a crappy workflow. The tools for cleaning and enhancing audio are what I'm complaining about.
Sound booth is just flat out not as powerful as a program like adobe audition for cleaning up sound, you can't argue that and I can make a strong argument for Vegas being better for controlling audio. The link I posted does a good job of showing the contrast between audition and soundbooth.
It's all based on needs as you suggest. If Soundbooth with PPro suits you than awesome.
I need more control over my sound which I can have in Vegas. CS4 is awesome, I'll be using it for a project after I type this but in terms of audio I don't think it comes close to something like Vegas alone and not even in the same ball park of vegas with audition (which you can set up to open audio files by hitting Ctrl-e.) Give vegas some credit for what you get for the price for goodness sakes!
Frequency analysis is like training wheels. It's a way to learn to hear. I don't use it any more, and I don't know a whole lot of professionals that do. I was in technicolor getting some film color timed and I asked the colorist if he uses his scopes anymore and he said not really, he just looks at the screen. Same sort of thing. You need a good pair of monitors way more than you need a frequency analyzer!
Sorry for getting a bit of topic pcascio, hope any of this is useful.