Greggl
Well-known member
You're better off using a non-realtime system, putting together a reel and starting
looking for work as an assistant, especially cause you're out here in Cali. Heck,
take ANY job at a DI house, places with Inferno suites, or anywhere that does
realtime CC. I was at a place last night to drop off some materials and the PA
was running a few shots on 300K worth of hardware.
Buying a bunch of hardware, in an effort to charge a client $75/hour, when you
can easily make the equivalent on someone else's dime? Hehe, I'll go the 'other
people's money' route any day. If you're good, you're good. Get that reel together
then start getting some assisting jobs and learn the craft.. then build that home
suite to do indie stuff on the side.
BTW, Colorists are total freaks of nature
I deal with a lot of compositors that
think they could 'go colorist', but it just doesn't work that way... hehe.
looking for work as an assistant, especially cause you're out here in Cali. Heck,
take ANY job at a DI house, places with Inferno suites, or anywhere that does
realtime CC. I was at a place last night to drop off some materials and the PA
was running a few shots on 300K worth of hardware.
Buying a bunch of hardware, in an effort to charge a client $75/hour, when you
can easily make the equivalent on someone else's dime? Hehe, I'll go the 'other
people's money' route any day. If you're good, you're good. Get that reel together
then start getting some assisting jobs and learn the craft.. then build that home
suite to do indie stuff on the side.
BTW, Colorists are total freaks of nature
think they could 'go colorist', but it just doesn't work that way... hehe.