David G. Smith
Steak Knife Member
I second what someone else said, that you don't need a china lantern if you use CFLs. Especially like this big one:
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You can hang that upside down from a ceiling, put it in a softbox, side mount it as shown with nothing on it at all and it is one big bright but soft source. Its a 200w 8U bulb and you can get them in 3200K or 5600K.
I have used bare CFLs many times to shot with, but respectfully disagree about replacing a china ball with them. Now, I haven't used the light you posted above (and have booked mark this post so I can snag some of those for latter use), but I have found that most CFLs I have used still emulate almost a small point source and are a little "Hard" for my tastes. When I put up a china ball, what I am looking for is an almost shadowless wrap. I find that very pleasing for portraiture lighting, in many instances. Now I would replace a china ball with tube fluorescence like Kino-Flos are what looks like some of the products you sell. I have even used regular hardware store fluorescent, dual T-12 reflectors to replace a china ball, but do have a tendency to have more spill.
My favorite soft source portraiture light is actually a large 14" white acrylic globe, for use on outdoor lamp posts. I jury rigged one, with CFLs in an aluminum Home Depot clamp reflector gaffer taped to the hole side of the globe and found it to be a beautiful soft source. I love it as a portraiture light. It is more robust than a china ball and our DIY thrown together one lasted us through 3 or 4 productions, until it ended up in the trunk of a car of I guy I haven't seen for a while. I am definitely going to put another one together as soon as I can.