stuckfootage
Well-known member
Hi folks,
I'm shooting a party with my HVX200, where I'll mostly work on a multicam of the band,
but they've also asked me to do some interviews of the guests between sets.
I'm thinking about a little setup near our P2 data wrangler, assembling 2-3 guests
in front of a wall, and setting up on a tripod with a shotgun on a boomstand overhead.
(Yes, just me doing everything, but there is someone actually asking questions, etc.)
Anyway, I own 2 Arrilight 650 fresnels.
I was thinking of using one with a 300W bulb for backlight and using the other with a 650W bulb either:
1. set up as a key focused on a large silk to provide general purpose softlight
or
2. set up as a somewhat hard key (with diffusion gels), also bouncing on a white foamcore to provide fill.
My goal is for the interviewees to look great and feel comfortable.
Your thoughts are most appreciated.
Thank you.
Les
I'm shooting a party with my HVX200, where I'll mostly work on a multicam of the band,
but they've also asked me to do some interviews of the guests between sets.
I'm thinking about a little setup near our P2 data wrangler, assembling 2-3 guests
in front of a wall, and setting up on a tripod with a shotgun on a boomstand overhead.
(Yes, just me doing everything, but there is someone actually asking questions, etc.)
Anyway, I own 2 Arrilight 650 fresnels.
I was thinking of using one with a 300W bulb for backlight and using the other with a 650W bulb either:
1. set up as a key focused on a large silk to provide general purpose softlight
or
2. set up as a somewhat hard key (with diffusion gels), also bouncing on a white foamcore to provide fill.
My goal is for the interviewees to look great and feel comfortable.
Your thoughts are most appreciated.
Thank you.
Les
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