KevinZanit
Active member
I wish I had more frame grabs online.
I have a few frame grabs:
Sorry for the terrible quality, these were taken off a 7mb QuickTime video
From a music video I did a while ago for a band called From First to Last. It was shot on 5218.
And some more even lower quality grabs . . .
Another music video, this time for a band called It Dies Today. The video was for the Showtime series Masters of Horror soundtrack.
Shot on 7218.
I have some pictures of the setups from the above also:
The first video:
Band members rode on a dolly connected to our camera dolly
I had a 12k HMI through this tiny window at the end of the hall for a super hot backlight
And for the second video:
We had two 9-light Maxis on a 60' condor to sort of side key/ edge the band
And two 10ks through a 12x12 frame of grid cloth to key the band
And here is a wide shot of the entire setup before we dialed in the Condor
Sorry for the terrible quality frames, I will try to get more, high quality grabs.
Kevin Zanit
I have a few frame grabs:
Sorry for the terrible quality, these were taken off a 7mb QuickTime video
From a music video I did a while ago for a band called From First to Last. It was shot on 5218.
And some more even lower quality grabs . . .
Another music video, this time for a band called It Dies Today. The video was for the Showtime series Masters of Horror soundtrack.
Shot on 7218.
I have some pictures of the setups from the above also:
The first video:
Band members rode on a dolly connected to our camera dolly
I had a 12k HMI through this tiny window at the end of the hall for a super hot backlight
And for the second video:
We had two 9-light Maxis on a 60' condor to sort of side key/ edge the band
And two 10ks through a 12x12 frame of grid cloth to key the band
And here is a wide shot of the entire setup before we dialed in the Condor
Sorry for the terrible quality frames, I will try to get more, high quality grabs.
Kevin Zanit