hi everyone,
i met a cameraman from a local station the other day who said that he had a dvx100 and that he bought it to shoot a feature.
he said that the way to shoot on a dvx if you want to make a feature and blow it up to show on a big movie screen is to do the following:
shoot the entire production on a dvx (or as many as you need) in 25p with no letterbox or squeeze, edit it all down so that you have a completed film, then transfer it to film (16mm or 35mm). i don't know enough about this stuff to know if this is even possible 'he kept saying, 'lay the completed film down on film stock'. then once the entire film has been 'laid down' on film stock it goes through the normal process of grading and then whatever it is that they do to a completed, graded film on 35 or 16mm to release it to the theatres.
he said that the quality will be fine and even give that beautiful, old film look with a bit of grain in it when shown on a big (movie) screen.
he reckons that one should spend money on lighting and follow the procedure above and you'll be fine.
IS THERE ANY TRUTH TO ANY OF THIS?
Thanks in advance and i apologise if this question has been asked before (i searched everywhere to try and find the answer).
cheers
tuinboy
i met a cameraman from a local station the other day who said that he had a dvx100 and that he bought it to shoot a feature.
he said that the way to shoot on a dvx if you want to make a feature and blow it up to show on a big movie screen is to do the following:
shoot the entire production on a dvx (or as many as you need) in 25p with no letterbox or squeeze, edit it all down so that you have a completed film, then transfer it to film (16mm or 35mm). i don't know enough about this stuff to know if this is even possible 'he kept saying, 'lay the completed film down on film stock'. then once the entire film has been 'laid down' on film stock it goes through the normal process of grading and then whatever it is that they do to a completed, graded film on 35 or 16mm to release it to the theatres.
he said that the quality will be fine and even give that beautiful, old film look with a bit of grain in it when shown on a big (movie) screen.
he reckons that one should spend money on lighting and follow the procedure above and you'll be fine.
IS THERE ANY TRUTH TO ANY OF THIS?
Thanks in advance and i apologise if this question has been asked before (i searched everywhere to try and find the answer).
cheers
tuinboy