I agree with Barry. Kinkade can't be blamed for explaining how to emulate the look of his paintings. His name is on the movie. He's based his entire "artistic" career on a specific look.
The fact he's naive about filmmaking isn't relevant to me either. What's more naive is the producers themselves who thought basing a movie on a painting was enough to make the film worth watching. Sounds like they were missing some other key ingredients like a good story and direction. If they'd had those, they could have followed every one of Kinkade edicts to the letter and been just fine.
The fact he's naive about filmmaking isn't relevant to me either. What's more naive is the producers themselves who thought basing a movie on a painting was enough to make the film worth watching. Sounds like they were missing some other key ingredients like a good story and direction. If they'd had those, they could have followed every one of Kinkade edicts to the letter and been just fine.