Barry_Green
Moderator
No, I was just examining the concept of "no lens" = "inexpensive." 
This could replace everything.
- Thread starter Paul Biya
- Start date
PerroneFord
Deals in Lead
My 550D came with no lens and it was $750... inexpensive...
well yes he went there...
truth fully the F35 isnt too far performance wise from an ALEXA and the alexa is 1/5th the cost. In my professional opinion, i'd take an Alexa over just about any camer out there, over a RED, EPIC, F35, Viper, etc... the Alexa's image is a thing of beauty.
PerroneFord
Deals in Lead
Do they have it putting out ARRIRAW yet, or is that still on hold?
No idea... you dont need RAW when there is sLog and dual link. sLog is basically RAW, and 444 SR recording is gonna hold everything.
This is the idea behind my F3 and Cinedeck purchase.... The F3 will out put something like sLog, and the Cinedeck will record 444Cineform, which is "better" or at least as good as SR. You get all the dynamic range, and color information embeded. you choose how you want to color correct it. I shot some sample footage on a Cinedeck Extreme, and a ALEXA in sLog, and my god, you just cant over expose. i had a shot where the interior of Abel Cine was exposed, and the direct sunlight out side the window was still completely in exposure. amazing amazing amazing...
This is the idea behind my F3 and Cinedeck purchase.... The F3 will out put something like sLog, and the Cinedeck will record 444Cineform, which is "better" or at least as good as SR. You get all the dynamic range, and color information embeded. you choose how you want to color correct it. I shot some sample footage on a Cinedeck Extreme, and a ALEXA in sLog, and my god, you just cant over expose. i had a shot where the interior of Abel Cine was exposed, and the direct sunlight out side the window was still completely in exposure. amazing amazing amazing...