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although the black magic new recorder can give you 10 bit uncompressed at 345 dollars plus cost of ssd
meaning its not a large additional cost to get 10 bit 4.4.4 out
i was only answering that barry was saying its ~5k to record to external 10 bit and its nowhere near that even when taking into account all you said.
meaning its not a large additional cost to get 10 bit 4.4.4 out
According to their specs, the HyperDeck only records 10-bits 4-2-2. It would require dual link or 3G SDI to get 4-4-4.
I went to the Arri booth to inquire about the cost of an Alexa. They told me >$80,000 and a five-month wait. I think that's insane to invest in today, even though it's the hottest camera out there, because ... five months from now, who knows what will be out?I wonder if they can include an addendum for next year or sooner, and include the Sony F65 and FS100, and an Epic. I'd love to see how the F65 will do against the Alexa.
In general, what I observed is that among the comparable-generation technology, price ruled the day and you could easily rank them based on price. AF100, F3, Red MX and Alexa are all brand new technology, and they all performed comparatively in order of how they're priced. Given that metric, I would certainly expect the F65 to outperform the Alexa, since it's a more-expensive unit with even newer technology.
The problem for me is that while that is true, it's probably not a good value assessment. Diminishing returns. The F3 is better than the AF100, but is it 2x better? Is the Alexa 3x better than the Red? Hell, is an AF100 5x better than a GH2, even?
Exactly!. Personally I end up with the 75% percentile one because I have no self control, but yeah. Haha
Being I'm about to shoot a feature on a DSLR - this a very unnerving little thread.