The Physics of Movie Scoring

Interesting. But as one who did study music in college, this is rooted in the circle of fifths, and goes well beyond sci-fi films, or film scoring. Though the article does point that out. Watch this:


Even if you start getting into other modes, such as phrygian which lends itself well to suspense/mystery or even horror, the same principle often applies, as this teacher shows:


People over-complicate music though, and often in the analysis remove the feeling. Watch what this guy does:

 
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