The Heller Approach

vcassel

Veteran
I've returned to acting recently after a two year hiatus in which I got married, had a child, and worked days as a writer to support my new family. I'm starting to star in web shorts, return to stand-up and improv, and look into acting classes again in the L.A. area. Recently I've had the opportunity to audit a class at The Heller Approach in Studio City. I've since signed up and completed my first class.

I moved out here to L.A. from Ft. Lauderdale three years ago and started training at Playhouse West. While I found the Meisner technique interesting at first, I soon realized the teaching styles at Playhouse West left much to be desired. In short, trust between teacher and student was in short supply and it wasn't a very nurturing environment in which to grow confidence and courage as an actor.

The Heller Approach is rather unique in the Los Angeles area because it doesn't rely on any method acting techniques. Based on the lessons of the late Don Richardson and his book "Acting Without Agony: An Alternative to the Method", Brad Heller teaches a technique based on muscle memory in which emotion and objective is learned through preparation and remembered by your body through execution.

I'd never heard of this approach before, but last week I audited a class and this morning I worked on my first scene with a student in the class under Brad Heller's tutelage. He guided me in the emotional and objective preparation and breathing techniques and allowed me to let go and work off the other actor in the execution of the scene. It was revelatory. Without the painful process of the standard methods I trusted my body to store and remember my emotion and objective to create a dynamic and vital scene between my partner and I.

What I really like about this class is that cold read/audition technique and scene study are both included and not doled out separately like at a lot of other schools. Brad also works with actors all over the world in private lessons over Skype, so you don't have to live in L.A. to get the benefits of the class.
 
Glad you found a a class that sings results for you. In direction Ive come across actors trained in many different ways. Ive even resorted to take the odd acting class myself so I can understand different processes you guys are being taught. I dont mind actors that follow Meisner well because through direction I find you can bring them to where you want them. Ive also sat in classes and worked with actors undertaking the method you're using or similar. One thing thats struck me is to follow this method requires deep preparation and they turning up ready to act and the key is the pre pro interaction.
 
The acting bit changes as you get older, then older. I've found, unfortunately it's mostly not for the best. Later on, unless you've made the AAA
or even AA class, it gets harder to eak out a livelihood. And you can lose friends, but I'm not going there. (no I'm not in acting now, just bookings)

My advice is to add a second and third string to your bow in a totally different field, so you can give both kids a great education and reap the parental rewards.
Oh yep another child should be in the program, so they have company as they go through life.

Not sure what the property scene is like where you are, but at least here, it's a great long term backup. Just my 2 cents.

Cheers.
 
One thing thats struck me is to follow this method requires deep preparation and they turning up ready to act and the key is the pre pro interaction.

Noel, I can see why. Heller gives his students a long list of preparation techniques to follow before taking on any role. Understanding of the role should be total with this technique. It's pretty great.

My advice is to add a second and third string to your bow in a totally different field, so you can give both kids a great education and reap the parental rewards.

Allan, the opportunity to return to school has recently come up and I've actually been considering law. Not that I really want to do it, but if I were to return to school now it would be strictly in the hopes of making a lot of money in a backup field in case Hollywood-land doesn't work out.
 
I'd look into the amount of time/study/effort required for a law degree, it's a lot. So you really need to want to do it.

But others have, successful author John Grisham was a lawyer and with a law degree yep, you'd want to use it. So bye bye Tinseltown, for a while anyway.

Cheers.
 
Sounds interesting, my own approach has always been something I'd vaguely liken to being part-Meisner, part-muscle-memory. I'll have to look into the book.
 
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