62stratplaya
Member
Yes, valid point on stuffing all of the plot points into a short -- hard to do.
Yet, I think that book has other valuable tools for the beginning writer. It distills and exposes abstract writing concepts better than the other options. I am speaking of, understanding genre (fish out of water, dude with a problem...) and also characterization and plot items (save the cat moment, limp and an eyepatch). I'm sure there are other items that I am forgetting. Anyway, those items are fairly universal, and they are well explained.
Plus, I think the best education is still reading other screenplays, either shorts or features. IMO
Yet, I think that book has other valuable tools for the beginning writer. It distills and exposes abstract writing concepts better than the other options. I am speaking of, understanding genre (fish out of water, dude with a problem...) and also characterization and plot items (save the cat moment, limp and an eyepatch). I'm sure there are other items that I am forgetting. Anyway, those items are fairly universal, and they are well explained.
Plus, I think the best education is still reading other screenplays, either shorts or features. IMO