P
Peter_Gaudry
Guest
In searching on this and the apple forum, it seems we're all having hit and miss results with slow motion in FCP. I shot a small film recently in 60i and had some slo mo in it, which looked great until run on a tv, then I got the strobing.
I have my heart set on shooting 24pa, but I've heard the slowmo strobing is bad in FCP. If I got some bad results with 60i, then I shudder to think how bad it is with 24pa.
Do any of you masters have advice for a good Workflow with respect to slow motion in FCP? Ie what works, what should be avoided, good settings, step by steps?
Also, I'll be shooting a wedding soon in 24pa, which is almost all slow motion. What are the traps to avoid giving the happy couple a 'strobing' dvd, and turning them unhappy very quickly?
Finally, would shooting in 30p aleviate any of these probs? Is it a happy 'middle ground' for avoiding some slow mo strobing?

I have my heart set on shooting 24pa, but I've heard the slowmo strobing is bad in FCP. If I got some bad results with 60i, then I shudder to think how bad it is with 24pa.
Do any of you masters have advice for a good Workflow with respect to slow motion in FCP? Ie what works, what should be avoided, good settings, step by steps?
Also, I'll be shooting a wedding soon in 24pa, which is almost all slow motion. What are the traps to avoid giving the happy couple a 'strobing' dvd, and turning them unhappy very quickly?
Finally, would shooting in 30p aleviate any of these probs? Is it a happy 'middle ground' for avoiding some slow mo strobing?