Hello folks,
I'm planning on creating a 2 minute point of view on film directing. However, there is a specific style I am looking to shoot it, I know, (in essence), how I am going to do it, but just wanted to see if anyone had any pointers on it.
The style I want to shoot is to shoot it within various locations and actions.
For instance, for one sentence, I will be in an inversion session, then I will transport to jogging, then to sleeping. In essence, what I'm trying to portray is that Directing is a way of life and not just a job, therefore, expressing how directors think about directing, when they are doing what they are doing in their everyday lives.
The way I would like to do it, is through seamless cuts. The effect I would like to try is only personified, (somehow), by Daniel Craigs assassination in Layer Cake, as follows:
http://www.youtube.com/watch?v=DvJuGo8SExI
Or, I may film it in a way where I use Morph (is it Morph?), in Boris Consortium.
Any views or pointers would be greatly appreciated.
I'm planning on creating a 2 minute point of view on film directing. However, there is a specific style I am looking to shoot it, I know, (in essence), how I am going to do it, but just wanted to see if anyone had any pointers on it.
The style I want to shoot is to shoot it within various locations and actions.
For instance, for one sentence, I will be in an inversion session, then I will transport to jogging, then to sleeping. In essence, what I'm trying to portray is that Directing is a way of life and not just a job, therefore, expressing how directors think about directing, when they are doing what they are doing in their everyday lives.
The way I would like to do it, is through seamless cuts. The effect I would like to try is only personified, (somehow), by Daniel Craigs assassination in Layer Cake, as follows:
http://www.youtube.com/watch?v=DvJuGo8SExI
Or, I may film it in a way where I use Morph (is it Morph?), in Boris Consortium.
Any views or pointers would be greatly appreciated.