Bruce Morgan
Well-known member
:thumbsup: :beer:
This is the old "night before production" querry .
Our sound man is well prepared but I wish to back him up with some of my equipment .
Situation is .Producer wants to get good guitar music sound shoting right on the edge of a country road .
Waiting for passing traffic and normal short shot guns with windscreens will be applied .
However I plan to "back him up " with a old austrian AKG mic The super long shot gun is the CK9 (not phantom powered )it is running on a 9volt battery and Yes
Connected to the DVX100A.
The super shot gun I imagine on the postive side wil reject traffic noise and on the negartive side will be UNREALISTICLY Close .
I am a cinematographer retreading into the dv filmaking realm and I love every minute of it .But .....
it would help me greatly to hear advice from you sound experts and students
so I can match up my expectation withthe wider experience of you real sound guys
Thanks for the Help
Cheers and Beers :beer: :beer: :beer:
Bruce
This is the old "night before production" querry .
Our sound man is well prepared but I wish to back him up with some of my equipment .
Situation is .Producer wants to get good guitar music sound shoting right on the edge of a country road .
Waiting for passing traffic and normal short shot guns with windscreens will be applied .
However I plan to "back him up " with a old austrian AKG mic The super long shot gun is the CK9 (not phantom powered )it is running on a 9volt battery and Yes
Connected to the DVX100A.
The super shot gun I imagine on the postive side wil reject traffic noise and on the negartive side will be UNREALISTICLY Close .
I am a cinematographer retreading into the dv filmaking realm and I love every minute of it .But .....
it would help me greatly to hear advice from you sound experts and students
so I can match up my expectation withthe wider experience of you real sound guys
Thanks for the Help
Cheers and Beers :beer: :beer: :beer:
Bruce