Someone asked about getting steady shots of a boat from another boat. That got me thinking of the rock steady shots Deadliest Catch gets in 30' seas. I found this piece which shows what cameras they use. They also mentioned that they get 30,000 hours of material for a season.
They show a rig to get boat to boat shots at 3:01. I still don't understand how they get a stable shot. Sure the gimbal holds the camera steady, but if the boat is bouncing up and down 30' and side to side, how does the shot stay steady? The shots they get are rock solid steady and framed as though the camera is radar-locked on the other boat.
http://variety.com/video/the-deadlist-catch-cinematography/
They show a rig to get boat to boat shots at 3:01. I still don't understand how they get a stable shot. Sure the gimbal holds the camera steady, but if the boat is bouncing up and down 30' and side to side, how does the shot stay steady? The shots they get are rock solid steady and framed as though the camera is radar-locked on the other boat.
http://variety.com/video/the-deadlist-catch-cinematography/