Sony A7s + Atomos Shogun testing

Shot some Christmas lights in 4k:

http://youtu.be/8vo6AD6dYio

I used the Canon EF 24-70mm f/2.8L II USM Lens [Mfr # 5175B002] at F2.8 for all shots.
I adapted from E mount to EF with the Metabones Canon EF Lens to Sony NEX Camera Lens Mount Adapter Mark IV
[Mfr # MB_EF-E-BM4]
White balance was 3200k. I changed the ISO a lot while shooting. Picture profile was off and creative style was standard.

Premiere output was 3840 x 2160 VBR 2 pass, target 12Mbps. 3 minute 14 second file was 284MB in size.
 
Here is a link to download a 2.4 GB version of the Christmas lights in 4k video. It does not include the credits at the end, so as to keep the file size down. I set the target to 140Mbps in Premiere for export. Before you click, make your internet browser window full size and be sure to only click once. Depending on your connection speed this could take a while to download, so be sure to give yourself lots of time:
http://www.mediafire.com/watch/6ebn...ights_in_Cedar_Park,_Texas_140Mbps_target.mp4
 
$4500.00 and 2 pieces of equipment oddly attached to each other to get that 4K quality? Sorry, but I don't get it?
Well keep in mind of the size of the A7s (or R and 7II) being mirror less with a FF sensor. That is kinda a feat on it's own. Add the ability to record 4K though Hdmi? Just a plus. Add a $2000 recorder with a $1200 value in external monitor and what is to not get?
 
Shot another video. This one was set to S-Log2 and with the color space to Cinema. In Davinci Resolve I reversed the LUT so that the S-Log2 would become REC709. I did no additional grading.


http://youtu.be/S_tqxf75b44


Here is a link to download a 816MB version of the video. I set the target to 70Mbps in Resolve for export to QT (.MOV). Before you click, make your internet browser window full size and be sure to only click once. Depending on your connection speed this could take a while to download, so be sure to give yourself lots of time:


http://www.mediafire.com/watch/kc70y14yyms80y3/UHD_Guy_and_Bus_70Mbps_target.mov
 
Shot another video. This one was set to S-Log2 and with the color space to Cinema. In Davinci Resolve I reversed the LUT so that the S-Log2 would become REC709. I did no additional grading.

That one is very nice! Real people! I like to see real people in tests! It made me feel sad for the guy. But what I don't understand is that at the end he let the bus go? Nice shooting.
 
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