Apefos Adapter
Well-known member
I would like to share a video showing a shoulder support for 35mm adapter and camcorder with lcd screen:
http://vimeo.com/3990651
http://vimeo.com/3990651
shoulder support for 35mm adapter and camcorder
- Thread starter Apefos Adapter
- Start date
Apefos Adapter
Well-known member
the battery is 12 volts and 7 amperes, it is pluged direct in the lcd. it runs the lcd for six hours.
You adapter footage looks good but you making mistakes like most amateurs and you have whites blown out all over your footage,it looks like a white burned out hole.
Here you actually cant see where her cloth ends and where bench starts ,this look is very videoish and you should avoid it when you want to make your adapter footage to look like film.Keep and eye on your camcorder exposure.
Here you actually cant see where her cloth ends and where bench starts ,this look is very videoish and you should avoid it when you want to make your adapter footage to look like film.Keep and eye on your camcorder exposure.
Apefos Adapter
Well-known member
Thanks for the tip.
I used the auto exposure and it is not perfect in all situations. I will try some manual exposures next times. It is a little bit difficult to get the white and the skin both good under the sun, but I think a manual exposure can make it better.
I used the auto exposure and it is not perfect in all situations. I will try some manual exposures next times. It is a little bit difficult to get the white and the skin both good under the sun, but I think a manual exposure can make it better.
yes but thats why its important to compose your frame properly ,choose the place properly so you wouldnt have problems with too much light or not enough light.Auto exposure in most video camcorders is awful and it blows out white ,i always go to manual exposure.
Its not always possible to get rid of blown out whites because we dont have control over the sun but we can always pick some other place to record our footage.
You very rarely see blown out whites in films,even super white shirts are grayish white so you can see clearly all folds.
Its not always possible to get rid of blown out whites because we dont have control over the sun but we can always pick some other place to record our footage.
You very rarely see blown out whites in films,even super white shirts are grayish white so you can see clearly all folds.
Apefos Adapter
Well-known member
Thats a good trick, to use a grey white shirt! and with a big crew we could use a difuser in sun light too. Or simple move to another place, the budget solution. Thanks
Tim Naylor
Veteran
Very cool rig and beautiful demo model. The clip is a classic. Makes me want to catch the next plane out of Brooklyn.
ididnt meant to use actual gray shirt ! What i wanted to say that exposure is so much toned down that white shirt appears as grayish-white ,not super white without visible folds.If you cant see folds on white shirt then you should look at your camcorder exposure.
Buying gray shirts and avoiding white colours would be some way too but its quite silly,its better to move camera a little bit.
Buying gray shirts and avoiding white colours would be some way too but its quite silly,its better to move camera a little bit.