I'm looking for advice on a shot I'm going to be doing the weekend after next. The scene takes place in Afghanistan, but I'm going to have to shoot it in NYC. It's a medium-wide (28mm or so) static shot of archaeologists in the desert stacking up crates to be loaded on a truck. The perspective is going to be straight on and perpendicular with the horizon.
In order to cheat it I was hoping to film it like in these pictures. The first is credited to Michael Reichman at Luminous Landscape. The other is the work of cinematographer John Alton in The American in Paris.
I figure that with the foreground silhouetted and the background a bunch of haze and swirling sand I can get the vibe of the deserts of Southern Afghanistan without actually being there. Any thoughts on how to best go about this using an indoor set? All help will be greatly appreciated.
In order to cheat it I was hoping to film it like in these pictures. The first is credited to Michael Reichman at Luminous Landscape. The other is the work of cinematographer John Alton in The American in Paris.
I figure that with the foreground silhouetted and the background a bunch of haze and swirling sand I can get the vibe of the deserts of Southern Afghanistan without actually being there. Any thoughts on how to best go about this using an indoor set? All help will be greatly appreciated.
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