shooting 50i.. what a bummer

shAi

Well-known member
so they called me and ask to do some shooting days here for a documentary that had already started to be shot with pd-150.. so no cine gamma, no progressive, not even 16:9 (ok, i can take this chalange).. and from time to time, when nobody's looking, i change to f6 just to see how great it could look with my 25p preset... ouch.. that really hurts, so i try not to do it so much.
and when i told the director about this option of shooting progressive, you know, in general, she said "you mean this annoying one-field-strobe that you add in the edit.. i hate it!"... huh?!?!
go figure out...

luckily it's a well paid job.. otherwise....   >:(

btw, any tips regarding matching the DVX with pd-150?
i chose 50i (pal), normal gamma, matrix1, master ped minus 3 .. does it seem to be logic?
 
Re: shooting 50i.. what a bummer

Seems to be; that's what I'd do. But I haven't worked with a PD-150 , so I wouldn't know for sure.
 
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