John Willett
Veteran
Again...you keep using that word "best". I've done tons of recordings with tons of different microphones in tons of different situations. Even on film and television production it isn't accurate to say a given mount is "the best". It depends on the real world situation. Go to the Paramount lot or Warner Bros. lot and go to every stage and ask the boom ops which mount they think is the best, and you'll get many different answers based on their real world experience. I know because I have done this exact thing.
I'm using the word "best" in the technical and measurable sense.
You can test and measure the effects and you can measure which mount is best at supressing handling noise.
That is not to say that someone might prefer a different type of mount for their method of working - as I said earlier.
You choose what works best for you and what you like working with, even if it may not technically be the "best".
Though it does beg the question why so many microphone manufacturers, many who have tried doing their own suspensions, end up going to Rycote for OEM versions of the "Lyre".