Wayne Kinney
DVXUser Sponsor
Hello guys,
We had the pleasure of having a loan of the FX1 last week, so we decided this was a great opportunity to test drive it with the new SGpro Revision 2. Revision 2 of the SGpro proves to be much better suited to the HD format, utilizing a new high quality, fully anti reflection coated achromat thats actually custom designed and made for the purpose, new condenser lens and new GG.
This footage should be of particular interest to the HVX200 users, to get an idea of how the SGpro handles HD.
Here is an image of the SGpro r2 connected to the FX1:
http://www.sgpro.co.uk/SGpro_r2_FX1.jpg
First thing we did was to shoot a res chart. This was with a 50mm F1.4 lens set to F4, and the FX1 set to F2 (warning its a 6MB file).
http://www.sgpro.co.uk/FX1e_SGpro_r2_res chart.tif
We went out and shot some footage with the setup. There are 4 scenes, but i've only uploaded the first. Its a scene in a bar, all natural light.
Its a 40MB file in wmv format:
http://www.sgpro.co.uk/SGpror2_FX1e_pub.wmv
and a full res grab from the above footage:
http://www.sgpro.co.uk/face03.jpg
Also, for all you bokeh fans, here is a small clip from the other scenes:
http://www.sgpro.co.uk/SGpror2_FX1e_bokeh.wmv
Here is 1 of 3 of the exterior footage. This was shot with the following lenses:
Canon FD:
24mm F2
28mm F1.8
50mm F1.4
85mm F1.8
The file is 60MB:
http://www.sgpro.co.uk/SGpror2_FX1e_brighton_marina.wmv
And some full frame grabs from the footage above:
http://www.sgpro.co.uk/flowers.jpg
http://www.sgpro.co.uk/flag.jpg
http://www.sgpro.co.uk/appartments.jpg
All of the footage was shot in Cineframe25 mode.
I will be rendering and uploading the other 2 scenes tonight, and will post ASAP. The 2 other scenes are all exterior.
I would love to know your opinions on the footage.
We had the pleasure of having a loan of the FX1 last week, so we decided this was a great opportunity to test drive it with the new SGpro Revision 2. Revision 2 of the SGpro proves to be much better suited to the HD format, utilizing a new high quality, fully anti reflection coated achromat thats actually custom designed and made for the purpose, new condenser lens and new GG.
This footage should be of particular interest to the HVX200 users, to get an idea of how the SGpro handles HD.
Here is an image of the SGpro r2 connected to the FX1:
http://www.sgpro.co.uk/SGpro_r2_FX1.jpg
First thing we did was to shoot a res chart. This was with a 50mm F1.4 lens set to F4, and the FX1 set to F2 (warning its a 6MB file).
http://www.sgpro.co.uk/FX1e_SGpro_r2_res chart.tif
We went out and shot some footage with the setup. There are 4 scenes, but i've only uploaded the first. Its a scene in a bar, all natural light.
Its a 40MB file in wmv format:
http://www.sgpro.co.uk/SGpror2_FX1e_pub.wmv
and a full res grab from the above footage:
http://www.sgpro.co.uk/face03.jpg
Also, for all you bokeh fans, here is a small clip from the other scenes:
http://www.sgpro.co.uk/SGpror2_FX1e_bokeh.wmv
Here is 1 of 3 of the exterior footage. This was shot with the following lenses:
Canon FD:
24mm F2
28mm F1.8
50mm F1.4
85mm F1.8
The file is 60MB:
http://www.sgpro.co.uk/SGpror2_FX1e_brighton_marina.wmv
And some full frame grabs from the footage above:
http://www.sgpro.co.uk/flowers.jpg
http://www.sgpro.co.uk/flag.jpg
http://www.sgpro.co.uk/appartments.jpg
All of the footage was shot in Cineframe25 mode.
I will be rendering and uploading the other 2 scenes tonight, and will post ASAP. The 2 other scenes are all exterior.
I would love to know your opinions on the footage.