NonFiction
Active member
Okay, there have been a couple of threads in different places (one here, and one at DVinfo.net that I know about) discussing issues related to using these devices together.
Here they are:
http://www.dvxuser.com/V6/showthread.php?t=96563&page=2
http://dvinfo.net/conf/showthread.php?t=91427
Now, as I read these, it seems the way Canon configured the audio section of the camera, there's some compromise using the MixPre. The last post in the first thread seems to offer a solution, but it's just one guy...
Is anyone else using this combination reliably?
My goal is to get two channels of good solid sound, with a reliable (and unobtrusive) peak limiter, in pretty run-n-gun documentary situations. Mostly interviews, but in lots of different setting.
Sometimes a couple wired lavs, sometimes a wired lav and a shotgun on a boom or stand, sometimes a couple of sennheiser wireless lavs, sometimes just one mic thru a splitter, one input mixed hotter than the other.
I've been imagining I'd get a MixPre, and more or less bolt it to the bottom of the camera, to use its amps instead of the camera's. The main problem I want to solve is the XHA1's tendency to clip the peaks unless I run the levels what seems to be too low overall.
But I would really love to hear from somebody who can help me out. Maybe I'm barking up the wrong tree with the MixPre? Or maybe there is a solid configuration with it, and I just need to get dialed in.
Thanks!
Here they are:
http://www.dvxuser.com/V6/showthread.php?t=96563&page=2
http://dvinfo.net/conf/showthread.php?t=91427
Now, as I read these, it seems the way Canon configured the audio section of the camera, there's some compromise using the MixPre. The last post in the first thread seems to offer a solution, but it's just one guy...
Is anyone else using this combination reliably?
My goal is to get two channels of good solid sound, with a reliable (and unobtrusive) peak limiter, in pretty run-n-gun documentary situations. Mostly interviews, but in lots of different setting.
Sometimes a couple wired lavs, sometimes a wired lav and a shotgun on a boom or stand, sometimes a couple of sennheiser wireless lavs, sometimes just one mic thru a splitter, one input mixed hotter than the other.
I've been imagining I'd get a MixPre, and more or less bolt it to the bottom of the camera, to use its amps instead of the camera's. The main problem I want to solve is the XHA1's tendency to clip the peaks unless I run the levels what seems to be too low overall.
But I would really love to hear from somebody who can help me out. Maybe I'm barking up the wrong tree with the MixPre? Or maybe there is a solid configuration with it, and I just need to get dialed in.
Thanks!