hello.
i haven't been active on here much in the last month or two.
i did a feature in the end of july and beginning of august.
then i did a nice two day shoot on for a 6 minute short.
i had planned on taking a break after that but i wound up doing sound for a feature being shot only 20 miles from where i live.
so anyway, i've been having fun playing with the deva V and i have also been working with the holophone h-1 (the surround sound mic that looks like a mannequin head)
but for primary dialog i am still using my schoeps wherever i can.
i just ordered the cut1 filter as i have had a few scenes where there have been really low noises that my sd 442 couldn't get with its high pass filter.
can someone please give me a short rundown on the best way to use the cut1 filter to its potential?
i'm doing 12-14 hour days for the next week and a half till the shoot wraps and i'd like to get up to speed with the cut1 as much as possible with my current schedule!
matthew
i haven't been active on here much in the last month or two.
i did a feature in the end of july and beginning of august.
then i did a nice two day shoot on for a 6 minute short.
i had planned on taking a break after that but i wound up doing sound for a feature being shot only 20 miles from where i live.
so anyway, i've been having fun playing with the deva V and i have also been working with the holophone h-1 (the surround sound mic that looks like a mannequin head)
but for primary dialog i am still using my schoeps wherever i can.
i just ordered the cut1 filter as i have had a few scenes where there have been really low noises that my sd 442 couldn't get with its high pass filter.
can someone please give me a short rundown on the best way to use the cut1 filter to its potential?
i'm doing 12-14 hour days for the next week and a half till the shoot wraps and i'd like to get up to speed with the cut1 as much as possible with my current schedule!
matthew