RIP Robert Altman

David G. Smith

David G. Smith

Steak Knife Member
I just got back from seeing A Prairie Home Companion and I have to say it is beautiful film and I think, just maybe, that Robert Altman is trying to tell us goodbye. Now, to qualify my response to this movie, I have to say that I am a bit hyper-sensitive to loose right now and I am not discounting my personal perspective when it comes to this movie. My mother, passed away last September after along illness and my brother, who also was sick for along time and lived with me, passed away at the end of last month. So, this film, which is about loss, probably hit a nerve in me that a lot of viewers may not have exposed, yet. However, I can get over the fact that maybe, just maybe, this film is Robert Altman's way of saying goodbye.
Mr. Altaman is 83 years old and from what I understand, to get insurance, they had to have an understudy waiting in the wings just in case. Of course that understudy was Paul Thomas Anderson. Realizing that, I could not help but to go see an Altman movie, on the big screen. There may not be that many more to come. The most poignant scene comes where one of the charactors, played by the great L.Q. Jones dies. Part of the cast is trying to get Garrison Keillor to say a euolgy on the air and he refuses. The charactor played by Lindsay Lohan asks him that if he was dead wouldn't he want to be remembered. Garrison Keillor's response is, "I would not want to have to be told to remember". Wow, I love that.

Maybe, just maybe, Robert Altman is saying goodbye the best way he can, with a beautiful film. I really hope not. I pray that we have Robert Altman films to discuss for years to come. However, If we don't, please do not pass up the opportunity to see one first run, on the big screen in digital Dolby stereo!

As a side note. The film, shot in HD with Sony HDW-F900/3 cameras looks great. As a matter of fact, this is the best looking HD to film movie I have seen so far.

Do yourself a favor and check out this flick.
 
I read the article about it in Entertainment Weekly. It seems really good, and I saw pictures from the movie and I never would have guessed it was shot in HD.
 
I just saw this flick yesterday and LOVED it!! This movie had an almost Christopher Guest-mockumentary feel but with the expert craftsmanship of Robert Altman the movie just flowed.

Please go out and see this flick...yes, the part played by Virginia Madsen seem counter-productive to the rest of the story but the acting in this flick is absolutely subperb!
 
I had no idea it was HD when I saw it. Beautifully shot. Some shots where I thought they were pretty daring with allowing the action to play out in shadowy areas. I loved that and thought it was pretty audacious.
 
RIP Robert Altman

Robert Altman just passed away at an LA-area hospital.

Guess the people who saw his latest as a valedictory, had it right...
 
http://www.cnn.com/2006/SHOWBIZ/Movies/11/21/obit.altman.ap/index.html

Director Robert Altman dead at 81

LOS ANGELES, California (AP) -- Robert Altman, the caustic and irreverent satirist behind "M-A-S-H," "Nashville" and "The Player" who made a career out of bucking Hollywood management and story conventions, died at a Los Angeles Hospital, his production company said Tuesday. He was 81.

The director died Monday night, Joshua Astrachan, a producer at Altman's Sandcastle 5 Productions in New York City, told The Associated Press.

The cause of death wasn't disclosed. A news release was expected later in the day, Astrachan said.

A five-time Academy Award nominee for best director, most recently for 2001's "Gosford Park," he finally won a lifetime achievement Oscar in 2006.

"No other filmmaker has gotten a better shake than I have," Altman said while accepting the award. "I'm very fortunate in my career. I've never had to direct a film I didn't choose or develop. My love for filmmaking has given me an entree to the world and to the human condition."

Altman had one of the most distinctive styles among modern filmmakers. He often employed huge ensemble casts, encouraged improvisation and overlapping dialogue and filmed scenes in long tracking shots that would flit from character to character.

Perpetually in and out of favor with audiences and critics, Altman worked ceaselessly since his anti-war black comedy "M-A-S-H" established his reputation in 1970, but he would go for years at a time directing obscure movies before roaring back with a hit.

After a string of commercial duds including "The Gingerbread Man" in 1998, "Cookie's Fortune" in 1999 and "Dr. T & the Women" in 2000, Altman took his all-American cynicism to Britain for 2001's "Gosford Park."

A combination murder-mystery and class-war satire set among snobbish socialites and their servants on an English estate in the 1930s, "Gosford Park" was Altman's biggest box-office success since "M-A-S-H."

Besides best-director, "Gosford Park" earned six other Oscar nominations, including best picture and best supporting actress for both Helen Mirren and Maggie Smith. It won the original-screenplay Oscar, and Altman took the best-director prize at the Golden Globes for "Gosford Park."

Altman's other best-director Oscar nominations came for "M-A-S-H," the country-music saga "Nashville" from 1975, the movie-business satire "The Player" from 1992 and the ensemble character study "Short Cuts" from 1993. He also earned a best-picture nomination as producer of "Nashville."

No director ever got more best-director nominations without winning a regular Oscar, though four other men -- Alfred Hitchcock, Martin Scorsese, Clarence Brown and King Vidor -- tied with Altman at five.

In May, Altman brought out "A Prairie Home Companion," with Garrison Keillor starring as the announcer of a folksy musical show -- with the same name as Keillor's own long-running show -- about to be shut down by new owners. Among those in the cast were Meryl Streep, Lily Tomlin, Kevin Kline, Woody Harrelson and Tommy Lee Jones.

"This film is about death," Altman said at a May 3 news conference in St. Paul, Minnesota, also attended by Keillor and many of the movie's stars.

He often took on Hollywood genres with a revisionist's eye, de-romanticizing the Western hero in 1971's "McCabe and Mrs. Miller" and 1976's "Buffalo Bill and the Indians, or Sitting Bull's History Lesson," the film-noir gumshoe in 1973's "The Long Goodbye" and outlaw gangsters in "Thieves Like Us."

"M-A-S-H" was Altman's first big success after years of directing television, commercials, industrial films and generally unremarkable feature films. The film starring Donald Sutherland and Elliott Gould was set during the Korean War but was Altman's thinly veiled attack on U.S. involvement in Vietnam.

"That was my intention entirely. If you look at that film, there's no mention of what war it is," Altman said in an Associated Press interview in 2001, adding that the studio made him put a disclaimer at the beginning to identify the setting as Korea.

"Our mandate was bad taste. If anybody had a joke in the worst taste, it had a better chance of getting into the film, because nothing was in worse taste than that war itself," Altman said.

The film spawned the long-running TV sitcom starring Alan Alda, a show Altman would refer to with distaste as "that series." Unlike the social message of the film, the series was prompted by greed, Altman said.

"They made millions and millions of dollars by bringing an Asian war into Americans' homes every Sunday night," Altman said in 2001. "I thought that was the worst taste."

Altman never minced words about reproaching Hollywood. After the September 11 attacks, he said Hollywood served as a source of inspiration for the terrorists by making violent action movies that amounted to training films for such attacks.

"Nobody would have thought to commit an atrocity like that unless they'd seen it in a movie," Altman said.

Altman was written off repeatedly by the Hollywood establishment, and his reputation for arrogance and hard drinking -- a habit he eventually gave up -- hindered his efforts to raise money for his idiosyncratic films.

While critical of studio executives, Altman held actors in the highest esteem. He joked that on "Gosford Park," he was there mainly to turn the lights on and off for the performers.

The respect was mutual. Top-name actors would clamor for even bit parts in his films. Altman generally worked on shoestring budgets, yet he continually landed marquee performers who signed on for a fraction of their normal salaries.

After the mid-1970s, the quality of Altman's films became increasingly erratic. His 1980 musical "Popeye," with Robin Williams, was trashed by critics, and Altman took some time off from film.

He directed the Broadway production of "Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean," following it with a movie adaptation in 1982. Altman went back and forth from TV to theatrical films over the next decade, but even when his films earned critical praise, such as 1990's "Vincent & Theo," they remained largely unseen.

"The Player" and "Short Cuts" re-established Altman's reputation and commercial viability. But other 1990s films -- including his fashion-industry farce "Ready to Wear" and "Kansas City," his reverie on the 1930s jazz and gangster scene of his hometown -- fell flat.

Born February 20, 1925, Altman hung out in his teen years at the jazz clubs of Kansas City, Missouri, where his father was an insurance salesman.

Altman was a bomber pilot in World War II and studied engineering at the University of Missouri in Columbia before taking a job making industrial films in Kansas City. He moved into feature films with "The Delinquents" in 1957, then worked largely in television through the mid 1960s, directing episodes of such series as "Bonanza" and "Alfred Hitchcock Presents."

Altman and his wife, Kathryn, had two sons, Robert and Matthew, and he had a daughter, Christine, and two other sons, Michael and Stephen, from two previous marriages.

When he received his honorary Oscar in 2006, Altman revealed he had a heart transplant a decade earlier.

"I didn't make a big secret out of it, but I thought nobody would hire me again," he said after the ceremony. "You know, there's such a stigma about heart transplants, and there's a lot of us out there."
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Wow. May he RIP. One of the greats.
 
I just watched MASH the other night. There is nothing quite like an Altman flick. He LOVED actors. I will miss him but appreciate all the classic movies he left behind.

Chris
 
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You know when we have watched a Altman movie, he will live on in his work, but he will be missed.
 
How sad that one of the last actors he worked with was "Lindsay Lohan" on Prairie Home Companion. He will be missed.
 
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What a loss.....

Lets not take anything away from him Karl151K....

In May, Altman brought out "A Prairie Home Companion," with Garrison Keillor starring as the announcer of a folksy musical show -- with the same name as Keillor's own long-running show -- about to be shut down by new owners. Among those in the cast were Meryl Streep, Lily Tomlin, Kevin Kline, Woody Harrelson and Tommy Lee Jones.
 
May he rest in peace, a great director and a man who worked doing what enjoyed all his life. This alone is an amazing accomplishment, that his work will live on for many generations is a well deserved honour. He won the hearts of many people up here back with McCabe and Mrs.Miller and L.C's music and had a great deal to do with kick starting the films industry in western Canada.
He will be missed!
 
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