I'm near the end of a project. shot dvx100a 24p normal. edited in fcp. i'm attempting to smooth out the jaggies. i know that some say this is pointless if your outputting to a ntsc monitor, but i want to enter this piece in some festivals where i believe that that isn't the case.
so, is there a benefit to attempting a reverse telecine in cinema tools going clip by clip rather than running a reverse telecine in compressor of the entire project file?
(i did a test of one clip...reverse telecine in each program, and the results seemed virtually identical. and btw, much smoother than without reverse telecine).
Thanks,
Matthew
so, is there a benefit to attempting a reverse telecine in cinema tools going clip by clip rather than running a reverse telecine in compressor of the entire project file?
(i did a test of one clip...reverse telecine in each program, and the results seemed virtually identical. and btw, much smoother than without reverse telecine).
Thanks,
Matthew