cardmaverick
Well-known member
Hey guys,
I was about to post this a while back, but totally forgot about it... One thing a lot of people ask me about lighting is how to keep light from a reflector located in one place. Ever try? It just goes all over creation. The solution is really simple!
Egg crates.
Just take an egg crate from a softbox and slap it right on top of the reflector, viola! Works quite nicely. I've used this in several interview shoots. In fact, I'm a bit ghetto and built my own
Here is a real world sample from a shoot I was DP on a few months back. In this example I'm actually using it as my key light, but the localizing effect is still the same.
Good lighting is all about control.
I have even more exotic reflector techniques too, but I'm saving those for the site. Thanks for reading!
I was about to post this a while back, but totally forgot about it... One thing a lot of people ask me about lighting is how to keep light from a reflector located in one place. Ever try? It just goes all over creation. The solution is really simple!
Egg crates.
Just take an egg crate from a softbox and slap it right on top of the reflector, viola! Works quite nicely. I've used this in several interview shoots. In fact, I'm a bit ghetto and built my own
Here is a real world sample from a shoot I was DP on a few months back. In this example I'm actually using it as my key light, but the localizing effect is still the same.
Good lighting is all about control.
I have even more exotic reflector techniques too, but I'm saving those for the site. Thanks for reading!