AlejandroMartin
Member
Let me start by saying that I sent a PM to admin of dvxuser, asking permission to post this thread, first I suggested in Nikon forum. I did a few minutes ago, so if this thread is not welcome, you can (admins) delete, but please .. read, I think it is best to publish here, as it is a mix of history and real bench.
I don't know the real history with RED, probably your forum was not ok with them, as the only forums about, in your web, are labeled as archived (an I don't have permissions to post).
As you may know, RED is now owned by other mid-major-brand (Im saying medium, cause to me its not a major)
Jarred Land, who sometimes I write to him and he respond to me via facebook, recently said me that he , and his friend Jim Jannard, are going to retire.
My history con cinema started as child, born in the late 70's, with passion, as probably many of you, as child, with the Spiven, Lucas and Coppola films. I love and hope for me one day ni short future to be able to purchase the 535B or the mk I.
Then when I started Cinemartin (2010-2019) on the early years, the F65 was the one I loved, the RED 4K120P was my second mid time cinemartin (before Fran8k that was inspired taking F65 in mind, global shutter, but in VV. Unfortunately while Phil Rhodes did a good job article, saying the true, the other one, Phillip Bloom wasn't able to properly start the prototype, which lead to my company dissapear, but that's another history).
2 Days go, on June 30th , I was able to purchase, to me, after the F65, the better 8K camera.Not only by the few units produced (500 aprox in total, but less than 100 for the s35mm)
I need to note, that, to me, and many others,
A) as less size the sensor is, better dynamic range. As opposed to current FFrame sensors, VV etc.
B) The DMSC2 Helium is better in recording than DSMC3. DSMC 3 has HQ, .. and LQ so only 3 compression modes, while DSMC2 's are user selectable up to 2:1 (or 1:2) on RAW ratio compresion, which is best than current DSMC3. DSMC2 tops at about 525MBps (just the same as Cinealta F65) with SSD SATA indide, which is , far superior than moders SSD drives, as modern SSD drives are TLC, and Sony, as well as RED, used SLC (thats why the media were so expensive).
On todays days all people say, ouuuaaa my SSD TLC is , e.g say 15 GBps but hey the y count on infintite threads que queue depth. I know cause I had the first Intel g80,g160 SLLC drives, and I also have someoptaner (another superior league), BUT THE TRUTH is that you need to measure Q1T1, that means pure sequential, true intraframe, I meant, frame by frame encoding.
Being said that, now I paste a video of my recent purchase (filmed with F65 & Master prime), spotting me and the RED Ranger.
I plan to do a Benchmarkt, probably tonight, sharing results probably tomorrow
Note , to see the above video at the master original H265 main 10, Hight profile at 8K50P fro the Sony Cinealta F65 use this link (is about 10 GB for a 4 min long)
Thanks Jarred Land ( https://www.dvxuser.com/members/jarred-land.2/ )
I don't know the real history with RED, probably your forum was not ok with them, as the only forums about, in your web, are labeled as archived (an I don't have permissions to post).
As you may know, RED is now owned by other mid-major-brand (Im saying medium, cause to me its not a major)
Jarred Land, who sometimes I write to him and he respond to me via facebook, recently said me that he , and his friend Jim Jannard, are going to retire.
My history con cinema started as child, born in the late 70's, with passion, as probably many of you, as child, with the Spiven, Lucas and Coppola films. I love and hope for me one day ni short future to be able to purchase the 535B or the mk I.
Then when I started Cinemartin (2010-2019) on the early years, the F65 was the one I loved, the RED 4K120P was my second mid time cinemartin (before Fran8k that was inspired taking F65 in mind, global shutter, but in VV. Unfortunately while Phil Rhodes did a good job article, saying the true, the other one, Phillip Bloom wasn't able to properly start the prototype, which lead to my company dissapear, but that's another history).
2 Days go, on June 30th , I was able to purchase, to me, after the F65, the better 8K camera.Not only by the few units produced (500 aprox in total, but less than 100 for the s35mm)
I need to note, that, to me, and many others,
A) as less size the sensor is, better dynamic range. As opposed to current FFrame sensors, VV etc.
B) The DMSC2 Helium is better in recording than DSMC3. DSMC 3 has HQ, .. and LQ so only 3 compression modes, while DSMC2 's are user selectable up to 2:1 (or 1:2) on RAW ratio compresion, which is best than current DSMC3. DSMC2 tops at about 525MBps (just the same as Cinealta F65) with SSD SATA indide, which is , far superior than moders SSD drives, as modern SSD drives are TLC, and Sony, as well as RED, used SLC (thats why the media were so expensive).
On todays days all people say, ouuuaaa my SSD TLC is , e.g say 15 GBps but hey the y count on infintite threads que queue depth. I know cause I had the first Intel g80,g160 SLLC drives, and I also have someoptaner (another superior league), BUT THE TRUTH is that you need to measure Q1T1, that means pure sequential, true intraframe, I meant, frame by frame encoding.
Being said that, now I paste a video of my recent purchase (filmed with F65 & Master prime), spotting me and the RED Ranger.
I plan to do a Benchmarkt, probably tonight, sharing results probably tomorrow
Note , to see the above video at the master original H265 main 10, Hight profile at 8K50P fro the Sony Cinealta F65 use this link (is about 10 GB for a 4 min long)
Thanks Jarred Land ( https://www.dvxuser.com/members/jarred-land.2/ )
