Hey everyone,
My question(s):
if I have everything planned and permissions setup and then approach an established production company about doing the post and using their connections to sell a series (could be half or one hour programs) how should I handle it and what expectations should I have? I would like to partner my LLC with their company, but would like to retain certain rights to footage I shoot and want to make sure I get an appropriate amount of any sale price.
Can anyone give a ballpark figure for what a network like Discovery will pay for a season of half hour or one hour episodes? What did "Deadliest Catch" sell their first season for?
I'm sure I should have a NDA ready before we talk. Anyone know were I can find an production company to company agreement? Am I going to have to hire a lawyer? I have a telephone consult with an entertainment lawyer on Monday.
My LLC is basically broke. But I could potentially find money to bring to the table so they feel we're taking a risk together.
The details:
I have a solid idea for a reality based program (I prefer to say documentary series), to be shot in the NW. I think they lack the ability to make this show without me and my particular skillset.
I have created an LLC and have started gathering permissions to film people and locations. I will be the principal shooter, though it's possible that we'll have more than one crew working. It requires people to have specialized skills to even be working in the types of environment we'll encounter. In other words it's potentially dangerous work. But I have a lot of experience with these types of situations.
I'm not sure if I can get an exclusivity contract with the entity that controls the locations, but I can approach the production company with permissions in place and a production schedule ready to be implemented and I would be the ideal field producer and chief cinematographer. I just don't have a team of editors or the connections to make the sale. I do have episode ideas written up and have a clear understanding of what kind of footage we'll be getting.
I could go on and on. In my neck of the woods there are very few mentors available, so some of the business aspects remain unknown to me.
Any words of advice would be appreciated.
Thanks!
My question(s):
if I have everything planned and permissions setup and then approach an established production company about doing the post and using their connections to sell a series (could be half or one hour programs) how should I handle it and what expectations should I have? I would like to partner my LLC with their company, but would like to retain certain rights to footage I shoot and want to make sure I get an appropriate amount of any sale price.
Can anyone give a ballpark figure for what a network like Discovery will pay for a season of half hour or one hour episodes? What did "Deadliest Catch" sell their first season for?
I'm sure I should have a NDA ready before we talk. Anyone know were I can find an production company to company agreement? Am I going to have to hire a lawyer? I have a telephone consult with an entertainment lawyer on Monday.
My LLC is basically broke. But I could potentially find money to bring to the table so they feel we're taking a risk together.
The details:
I have a solid idea for a reality based program (I prefer to say documentary series), to be shot in the NW. I think they lack the ability to make this show without me and my particular skillset.
I have created an LLC and have started gathering permissions to film people and locations. I will be the principal shooter, though it's possible that we'll have more than one crew working. It requires people to have specialized skills to even be working in the types of environment we'll encounter. In other words it's potentially dangerous work. But I have a lot of experience with these types of situations.
I'm not sure if I can get an exclusivity contract with the entity that controls the locations, but I can approach the production company with permissions in place and a production schedule ready to be implemented and I would be the ideal field producer and chief cinematographer. I just don't have a team of editors or the connections to make the sale. I do have episode ideas written up and have a clear understanding of what kind of footage we'll be getting.
I could go on and on. In my neck of the woods there are very few mentors available, so some of the business aspects remain unknown to me.
Any words of advice would be appreciated.
Thanks!