aifilmmaker
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I have a ridiculous question that I probably know the answer to, but you can never be too sure, so I'm just going to ask it here.
Now we all know it's illegal to use copyrighted music in a film without proper permission, but what about a cover of a song, if you've gotten direct permission from the person(s) doing the cover?
And if that's completly out of the question (Which I'm guessing it is) Is it legal to use a guitar solo from a covered version of a song? (Again, getting direct permission from the coveree).
I have a ridiculous question that I probably know the answer to, but you can never be too sure, so I'm just going to ask it here.
Now we all know it's illegal to use copyrighted music in a film without proper permission, but what about a cover of a song, if you've gotten direct permission from the person(s) doing the cover?
And if that's completly out of the question (Which I'm guessing it is) Is it legal to use a guitar solo from a covered version of a song? (Again, getting direct permission from the coveree).
you can cover songs of authors who have died more than 70 years ago. Its called public domain. but you have to be careful: sometimes editors think they can keep the lifespan longer than 70 years and try to ask for money.....a grey area in copyright laws and depending on the countries involved, illegal or a matter of agreement.
This is true - but be careful!
Copyright is also on the arrangement - so, although the original work may be over 70 years after the death of the composer and out of copyright, the arrangement you want to use may be newer and still in copyright.
So it's best to fully check it all out.
Yes, in the US, arrangement is not copyright protected, unfortunately. It is the loophole that has allowed many a producer/arranger to be ripped-off by a band or artist jumping ship on a production or development deal...It also allows for the creation of "sound-alike" recordings (the song falls under copyright, a _specific_ recorded master falls under copyright, but not necessarily the notes and their arrangement on said recording). Clear as mud? In the OP's example, if a cover artist paid Harry Fox Agency (or the publisher directly) for a license to record a particular song, _and also somehow magically secured sync rights to said song_, then the film-maker could license the cover version for their film from the cover artist. But in practice, rather than theory, that never happens, because sync rights are potentially worth a lot more than record rights.GJAlso this is not the case in the US, it's quite a bit longer. Part of the problem with copyright law is that it varies around the world so you really need to check out what you want to use.