Puppetry with live action

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Re: Puppetry with live action

Neil.. dude you gotta send me a clip of that.
 
Re: Puppetry with live action

lol ..i havent composited it all together yet, but i can send you a little clip of some of the funny greenscreen work if you like.. LOL you can laugh at my scotch taped together little paper green screen that i put together for 2.00 from the craft store. :P ..its nowhere near professional, but PPro 1.5's "greenscreen" filter keys it fine.
 
Re: Puppetry with live action

BWAHAHAAHAH!! that was awsome! ...theres nothing quite like a marionette swirling around to the beasty boys! :P
 
Re: Puppetry with live action

[quote author=Dave link=board=fx;num=1097435885;start=0#3 date=10/10/04 at 18:20:08] and then go through the pain stakingly long and slow process of removing the visible strings from each frame in post.[/quote]

If you decide to go this route experiment with painting the strings black-white-black-white, etc (or grey-white) with a magic marker or whatever every quarter or half-inch or so (again, experiment). You can get away with a lot because white strings will show over a dark background and black strings will show over a white background but the patterned strings kinda just work against most backgrounds. You'd probably still do some work on the strings in post but a lot will be acceptable right out of the camera.

This method has been used in stage and hollywood for genertations and in the days before computers this is what they went with, zits and all.
 
Re: Puppetry with live action

That's a sound idea but my character is wearing red. So, should I color the strings red where they meet his clothing?
 
Re: Puppetry with live action

Ideally you could change color of strings with every location/background but that's a lot of work too, although not as much as editing frame by frame. You'd have to weigh the cost/benefit to see if it might be worthwhile. Either way, you'll have to be careful to keep light mostly off the strings. You'll have to experiment. Also, remember, we're not fooling anyone here. If the viewers see strings here and there, they won't be suprised but the less they see them the less they might be distracted. The black-white or grey-white is meant to be a happy medium that will work against more backgrounds universally, at least better than if your strings were universally a solid color throughout. On a slightly different note, depending on the genre, you might also considering experimenting by converting a test sequence or two to black & white in post just to see how the black-white strings look and what mood the B&W conveys overall. Worth a try experimenting with anything.
 
Re: Puppetry with live action

..in my tests i find that very thin clear fishing line works fine as long as you dont light it so it refracts back into the lense.. the colors of whatever is behind it come through, so if your using a greenscreen like me, they key out with the rest of the green, and most of the time, you can barley see them at all over the charachter. ..if you can see them a little, you can just blend them in a little, but that way you wont have to remove any lines aside from possibly a little work right over the charachter. but its hard to see fine fishing line to begin with..
 
Re: Puppetry with live action

In my little test I used a puppet that had black lines... since it's the only puppet I own :D

Most of the problems from the lines were when they appeared in front of the puppet. Otherwise, since they are thin, they were easily filtered/blurred out when in front of the green screen. I believe I played with feathering to help with this.

So, using fishing line or a similar clear line should work rather well.
 
Re: Puppetry with live action

You might consider leaving the Strings "IN". After all, if it worked in Team America, it could work anywhere. ;)

--Bop
 
Re: Puppetry with live action

bwahaha!  these grabs are safe enough to show now.. heres some screenshots of my almost finished little funny project.  you can see the fishing line over his head a in the one shot, i didnt remove them aside from what the green screen removed.. that is actually the only shot you can breifly see a string for actually cause the light caught it. lol. but i dont care to remove it.  :P

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this one is of the guy that is working with the stuffed monkey .
300064704.jpg
 
Re: Puppetry with live action

:D

Dang, I want to see your video Neil! That puppet looks perfect.

Makes me want to try another puppet video.
 
Re: Puppetry with live action

[quote author=Jarred Land link=board=fx;num=1097435885;start=0#7 date=10/10/04 at 21:45:34]the 100 has a good macro, but the 100a has an incredible macro.[/quote]


Yeah, but i have üßëR°Mí¢Rø
For those who dont know what Uber Micro is....http://www.purepwnage.com/
 
Re: Puppetry with live action

Neil,

Awesome looking composites. How did you change the monkey's mouth? He has an expression in one shot and looks like he's speaking in another shot.

When you greenscreened the monkey in the walking shot, did you shoot the monkey on location? Or did you shoot the monkey in a studio environment (replicating the outdoor lighting) and then composited the outdoor scenery?

Can't wait to see the finished product.

Dave
 
Re: Puppetry with live action

hey thanks,

all of the monkey shots were done in the "studio environment" ...AKA a little bedroom in my place where we quickly taped 2 peices of pretty close to chroma green paper from the craftstore to the closet door.
ha ..the monkeys mouth is my mouth masked in and color matched over the monkeys mouth area. so i talked and made expressions for the monkey.. like they do on that late night talk show when they put a live mouth over a picture of somebody... so if anyone wanted to know what my teeth or tounge looked like.. well there ya go
 
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