protecting a treatment

AlexCFrey

Member
Hello,

I just finished writing a treatment. A producer I am connected to has requested to read this treatment. I want to protect my work, but I am unfamiliar with the proper contract that needs to be signed. Or do I just need to register the treatment with WGA?

Does anyone know of any websites that provide sample contract templates? Or know where I can learn more about this matter? I don't have the funds to speak with an entertainment lawyer:laugh:

Any help or advice would be great, as I am very lost! Thanks.
 
I always register my story outline (logline, one page summary, scenes), treatment, first draft, and final draft with the US Library of Congress; online, $35 online payment, immediate upload, and has the best legal protection and longevity for protecting one's work (far far better legally than WGA, and protection will outlast your lifetime).

Then I wait and hope someone steals my story/script and makes a movie and a boatload of money at the box office, so I can sue them and my share of the treasure, lol.
randall
 
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http://tinyurl.com/2dfx3ef

The first three links. Golden.

Very nice. Funky too. :Drogar-BigGrin(DBG) And yes that was a good read from the lawyer about non-disclosure, US Copyright Office registration, etc.

I recently read a book titled 'Movie Money' and if it taught me one thing it was that I will most definitely want an entertainment attorney when selling a screenplay and/or an indie film.
 
Register the treatment with the WGA - takes a minute. That's all you need.
- Bill

Bill, what is the advantage of WGA over US LOC for copyright registration (if a writer is not yet a WGA member, which I am sure you are, but for some of us poor saps who not yet attained WGA membership...)?
randall
 
I just finished writing a treatment. A producer I am connected to has requested to read this treatment.

If you'll forgive me answering a question with a question: and then what? What do you hope to gain from this?

I ask because I've never gotten an answer that would convince me to let a producer read a treatment for an original project of mine that I'm writing on spec.

A complete, polished screenplay? Sure, no problem. But a treatment that's not a paid step on a project that the producer has hired me to write? Nope.

Thanks - Mark

P.S. Sorry again. I'm not Bill, but as long as I'm posting, a few quick things: WGA is cheaper, faster and easier than LoC, but it expires after five years and it doesn't allow you to sue for punitive damages.
 
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