mojoprofilms
Active member
I've got some RED footage which has been outputted as 1080p ProRes 4:2:2 HQ through RedCine-X, and I'm cutting it together with some dSLR footage which is natively .h264.
If I use a sequence set to the .h264 as the bulk of my footage is dSLR, and then bring the ProRes into it, rendering as I do - edit that way and then change the sequence settings to ProRes 4:2:2 HQ before exporting the final video (selecting re-render all frames), will the ProRes'd RED footage suffer? Or because the clips are ProRes, will it simply look back to those on the export and re-render, and quality will be preserved?
I would find this system easier than doing an offline and an online myself...though I know most will question why I don't just do it that way.
If I use a sequence set to the .h264 as the bulk of my footage is dSLR, and then bring the ProRes into it, rendering as I do - edit that way and then change the sequence settings to ProRes 4:2:2 HQ before exporting the final video (selecting re-render all frames), will the ProRes'd RED footage suffer? Or because the clips are ProRes, will it simply look back to those on the export and re-render, and quality will be preserved?
I would find this system easier than doing an offline and an online myself...though I know most will question why I don't just do it that way.