kecorcoran
Well-known member
Hi everyone,
Starting a new tread, since the other thread on this seemed to be all about preordering Premiere and speculating when it will arrive.
I got my Premiere Pro 1.5 last night. (Actually the whole Video Collection). Obviously the first thing I did after installing was sit down and test out the 24p functionality.
First, I created a 24p project, and captured about 30 minutes of video into it. (One improvement in the capture window is that when "Scene Detect" is selected Premiere no longer stops, rewinds, and restarts with each scene, it just creates a new file and keeps on rolling. This should save wear and tear on the precious DVX100.)
I had done a previous capture of this tape with PP 1.0 (7?), so I compared file sizes, and the clips captured for the 24p project still seemed to be full size, so I suppose the pulldown frames have not been removed.
Playback looked good on the computer monitor, and I was seeing just the 24 "real" frames, none of the pulldown frames.
My video monitor (connected through a firewire device) was a different story. Since the video monitor always shows 60i, Premiere has to do a pulldown. There are two settings under Project Setttings->General->Playback Settings which control this. One just repeats a frame ("ABBCD") and the other creates interlaced pulldown frames.
The interlaced pulldown frames is the default, but on my monitor, bright areas like overexposed skies seemed to flicker and flash. I changed the setting to repeat frame and everything looked fine. I really wasn't noticing the doubled frame at all.
According to the manual, you can either view the timecode either in 24 frame increments or the standard 30 drop frame time code. So, for example, at the end of the first second your timecode could read 00:00:00:23 or 00;00;00;29. In the latter case, I think every fifth number is skipped. (I didn't really explore this so I might have it slightly wrong.) The advantage of the 30 frame time code is that's the way the camera keeps time as well.
The Adobe Media Encoder does offer 24 p progressive MPEG encoding for DVD, but maybe it always did.
So, overall it looks good. I'm happy 24p if now supported.
Kevin
Starting a new tread, since the other thread on this seemed to be all about preordering Premiere and speculating when it will arrive.
I got my Premiere Pro 1.5 last night. (Actually the whole Video Collection). Obviously the first thing I did after installing was sit down and test out the 24p functionality.
First, I created a 24p project, and captured about 30 minutes of video into it. (One improvement in the capture window is that when "Scene Detect" is selected Premiere no longer stops, rewinds, and restarts with each scene, it just creates a new file and keeps on rolling. This should save wear and tear on the precious DVX100.)
I had done a previous capture of this tape with PP 1.0 (7?), so I compared file sizes, and the clips captured for the 24p project still seemed to be full size, so I suppose the pulldown frames have not been removed.
Playback looked good on the computer monitor, and I was seeing just the 24 "real" frames, none of the pulldown frames.
My video monitor (connected through a firewire device) was a different story. Since the video monitor always shows 60i, Premiere has to do a pulldown. There are two settings under Project Setttings->General->Playback Settings which control this. One just repeats a frame ("ABBCD") and the other creates interlaced pulldown frames.
The interlaced pulldown frames is the default, but on my monitor, bright areas like overexposed skies seemed to flicker and flash. I changed the setting to repeat frame and everything looked fine. I really wasn't noticing the doubled frame at all.
According to the manual, you can either view the timecode either in 24 frame increments or the standard 30 drop frame time code. So, for example, at the end of the first second your timecode could read 00:00:00:23 or 00;00;00;29. In the latter case, I think every fifth number is skipped. (I didn't really explore this so I might have it slightly wrong.) The advantage of the 30 frame time code is that's the way the camera keeps time as well.
The Adobe Media Encoder does offer 24 p progressive MPEG encoding for DVD, but maybe it always did.
So, overall it looks good. I'm happy 24p if now supported.
Kevin