G'day all,
I've got a nice 4073a atop my dvx-100a and noticed how much better it sounds when she is on a boom pole - duh! I now believe that the sound/boom person needs to be able to monitor the audio hence the need for some kind of preamp - double duh! What do you recommend? I see a Sure FP24 $$$$$ mentioned and then a Sound-device MM-1 (seems more in my price range) I don't want to downgrade the nice sound of the Mic but a long headphone extension cord from the camera to sound person seems cumberson. I am mainly looking at documentary type stuff and the XLR cable will be going directly in the DVX100 not into a sound recording device (haven't even thought about that and having to sync sound seems like too much work) .
On another note, I just discovered the low pass filter on the Mic! Perhaps now I'll be rid of those low frequency rumbles when shooting outside near traffic ??
Regards
Richard
I've got a nice 4073a atop my dvx-100a and noticed how much better it sounds when she is on a boom pole - duh! I now believe that the sound/boom person needs to be able to monitor the audio hence the need for some kind of preamp - double duh! What do you recommend? I see a Sure FP24 $$$$$ mentioned and then a Sound-device MM-1 (seems more in my price range) I don't want to downgrade the nice sound of the Mic but a long headphone extension cord from the camera to sound person seems cumberson. I am mainly looking at documentary type stuff and the XLR cable will be going directly in the DVX100 not into a sound recording device (haven't even thought about that and having to sync sound seems like too much work) .
On another note, I just discovered the low pass filter on the Mic! Perhaps now I'll be rid of those low frequency rumbles when shooting outside near traffic ??
Regards
Richard