I am setting up a new post suite and need to get some other opinions regarding workflow.
Here are the variables:
Shooting on a Panasonic Varicam
Offline on several FCPHD suite
Sound Post and VFX done in another part of my studio (seperate companies)
Online for all FCP shows happens on one Online FCP suite.
I am required to meet different broadcast specs for delivery. Masters sometimes need to be one of the following,720/24p (23.98) 1080/24p, 1080i, and SD NTSC 29.97 etc.
Availble equipment:
Firewire storage in each suite, XRaid as well in the Online.
Panasonic 1200 deck
DBeta
DVcam
DVCPro
Avid DS (v.6.0)
Avid Symphony
(Basically, a full tape room)
My company has a solid Avid workflow (SD), we are new to FCPHD workflow. Most of my editors are experienced FCP users, however, they don't set the workflow.
So my question is: can anyone suggest the best workflow for the situation. Editing base set up (29.97 vs. 23.98, DF vs NDF etc), pipeline setup (equipment to equipment), what should the dailies be digitized as (dvntsc or dvcprohd codec). We also would like to do final colour correction in the Avid DS. Any suggestions on the best way of getting in to the DS suite would be appreciated.
It's a big question, any help would be great.
Thanks
bluepixel.
Here are the variables:
Shooting on a Panasonic Varicam
Offline on several FCPHD suite
Sound Post and VFX done in another part of my studio (seperate companies)
Online for all FCP shows happens on one Online FCP suite.
I am required to meet different broadcast specs for delivery. Masters sometimes need to be one of the following,720/24p (23.98) 1080/24p, 1080i, and SD NTSC 29.97 etc.
Availble equipment:
Firewire storage in each suite, XRaid as well in the Online.
Panasonic 1200 deck
DBeta
DVcam
DVCPro
Avid DS (v.6.0)
Avid Symphony
(Basically, a full tape room)
My company has a solid Avid workflow (SD), we are new to FCPHD workflow. Most of my editors are experienced FCP users, however, they don't set the workflow.
So my question is: can anyone suggest the best workflow for the situation. Editing base set up (29.97 vs. 23.98, DF vs NDF etc), pipeline setup (equipment to equipment), what should the dailies be digitized as (dvntsc or dvcprohd codec). We also would like to do final colour correction in the Avid DS. Any suggestions on the best way of getting in to the DS suite would be appreciated.
It's a big question, any help would be great.
Thanks
bluepixel.