Five O'Clock Charlie
New member
Years of reading forums like this was finally put to practice... Twas my directorial (and my new ad agency's) debut.. hooray. But what surprised me about my Afer Effects work on this theoritically mid-range (afa work load) tv spot, and some in Pr as well, was how extensively I used a range of plug-ins.
It's a reminder of how many tools can be used to add those minute details to flesh out a scene if you have time, and how much you can sacrifice on set to save time (this was 2 half-days, so no live fire, few practical smoke resets, etc.) This was VCP: Opt Flares, Action Ess. 2, Riot Gear, Pro Score, Designer FX... and Red Giant Colorista, MB Looks, Cosmo, a little Mojo, etc.
I'm new to real color grading, so I went a little crazy trying to anticipate our washed out local stations, but the important thing is the option's there!
http://youtu.be/qsTrfrfTpXc?hd=1
Cheers
It's a reminder of how many tools can be used to add those minute details to flesh out a scene if you have time, and how much you can sacrifice on set to save time (this was 2 half-days, so no live fire, few practical smoke resets, etc.) This was VCP: Opt Flares, Action Ess. 2, Riot Gear, Pro Score, Designer FX... and Red Giant Colorista, MB Looks, Cosmo, a little Mojo, etc.
I'm new to real color grading, so I went a little crazy trying to anticipate our washed out local stations, but the important thing is the option's there!
http://youtu.be/qsTrfrfTpXc?hd=1
Cheers