rob norton
Veteran
I would say zero, zilch. It's Hollywood, they only hire big boy toys here. Seriously. I've been shooting low budget TV and features yet they still had the big octocopter carrying an Alexa mini. Very little market here for low end drone work.
When I shot in the Sahara Desert for Prison Break a few years ago, the production flew in the drone team. From Finland. For just two days work. They didn't hire from Italy, the flew the dudes in from Finland, I shot a little piece on the whole drone thing
as Prison Break was known for that iconic opening helicopter shot over a guard tower at Fox River Prison in Illinois from S1 so many years ago and they recreated it in Morocco, which was doubling for Yemen in the story.
These guys had a $100k drone package, full FIZ for any Arri or RED, the drone was huge, complex and heavy, I don't know the manufacturer but it was big and could carry really heavy cameras. Their day rate was impressive, they didn't need to work very often to make
a good living ;-)
Thanks PD. Yeah I've heard stories where on feature films (over here) the drone unit is essentially on call for $500K and just slot into production at a moment's notice. It must be pretty tough to get into the features game but nice for anyone landing those contracts, except the stakes are extremely high. Though I'm sure approved, a lot of those high end systems still receive some extensive customization ie you'd better know what you're doing.
Maybe as a pure dollar figure you can say the i2/x7 is low end when compared to the overheads of the larger drone companies along with their camera packages but I wouldn't say it's low end as far its capabilities.
To compare with the budgets of the broadcast world, I did some drone work for the BBC expecting to go out with the i2. They'd been using p4 pros for months and my p4 pro was completely fine for their needs.
I'm pretty off topic here, sorry/not sorry.