My Christmas, Cinematography History

The art of "film-making" is just but slightly over 100 years old, one of our youngest art forms.

The documentation of cinematic photography (in regards to technical information), did not effectively begin until the formation of the American Society of Cinematographers.

It was after which, that the technical trade publication American Cinematographer, began to compile information. We also see the development of the American Cinematographer Handbook/Manual. How it was basically written and re-written as cinematographers learned the craft and invented new tools. They would create, share, combine and challenge each others charts, diagrams, formulas, etc. It became, and has remained the camera man's bible for almost 80 years. To this day, the book is edited and corrected constantly, attaining more knowledge and accuracy, proving that cinematography is indeed a life long learning process.

Here is a bit of history regarding the beginnings of documented cinematography craft:


The American Society of Cinematographers was founded in 1919, and American Cinematographer was initiated on November 1, 1920 as a twice-monthly four-page tabloid-sized newsletter about the ASC and its members, and soon became the "Magazine of Record" for the ASC.

In 1922, the publication went monthly. In 1929, new editor Hal Hall started to change the publication; he reformatted it to standard magazine size, increased the page count, and included more articles on amateur filmmaking. For a while during the 1930s, the magazine was devoted to professional cinematography and amateur moviemaking in equal measure....
I received a July 1922 American Cinematography Magazine, which the cover features the famous Cinematographer standing on a cloud shooting the earth. The magazine text says "Give Us A Place to Stand and We Will Film the Universe". The below is the same covered November 1922 magazine. (back then I guess they changed cover art periodically and not every edition.)

book_46000.jpg


I was also given a 1925 & 1929 American Cinematography magazines. I also received my birthday edition, AC November 1985, which is truly mind boggling if I think about it. These magazines (exception of the '85) have been around since before the great depression, through World War II and every conflict since. History has always been a favorite subject as a kid, and this stuff can't get any better.

Other than the magazine, the most well-known publication of the ASC is the American Cinematographer Manual. The first edition was published in 1935 by Jackson J. Rose as The American Cinematographer Hand Book and Reference Guide. The Hand Book evolved from the Cinematographic Annual only published twice, in 1930 and 1931. Rose's handbook went through nine editions by the middle of the 1950s, and it was from this book that the modern American Cinematographer Manual originated. The first edition of the new manual was published in 1960, and is now in its ninth edition (2004).
This Christmas, I was lucky enough to have been gifted what is relatively priceless in my eyes: An assortment of milestone publications from the relative birth of modern cinematography knowledge.

I received the two texts which started it all. The 1930 Cinematographic Annual Volumes One & Two by Hal Hall (Editor)

If you read the history from above, those led to the The American Cinematographer Hand Book and Reference Guide by Jackson J. Rose. I received the 1956, 9th edition, which was the last print of the series.

Finally, I am now the proud owner of a 1960 1st Edition, American Cinematographer Manual... the beginning of what we all know as the standard AC manual. I have owned the 9th and most recent edition since I entered film school.

It is simply amazing to see how Cinematography has grown and developed over the years! These books truly instill a sense of past, pride and purpose into what can sometimes feel as a superficial business.


So all and all, I'm not trying to brag, but am very excited about owning pieces of the great and short history of our art form. Sometimes I just remember how young film really is, and how awesome it is to be a part of it.

Take care,

-RPO

 
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Very interesting and very cool.

I have a thing for the early days of radio, and have collected magazines on the topic from the years 1900-1920. Absolutely fascinating to learn about everything from circuit design to predictions of the future from those days. One thing that they did not expect was the dominance of commercialism in media ... they saw radio as an altruistic tool for the benefit of the masses .. but it did not take long for corporate interests to gain control (with the help of their minions in government).
 
1922 was the first year the American Cinematographer was a monthly publication and not a few paged newsletter. The cover artwork was re-used for several months at a time during the 1922-1930ish era.

Photographs of the July 1922 AC Magazine (mentioned below) can be found in the photos section of the "American Cinematographer" fan group: http://www.facebook.com/pages/American-Cinematographer/16007063492

More on the history of the ASC and AC magazine can be found here: http://www.theasc.com/magazine/aug04/record/page1.html#

Best.





The most prized magazine of my private collection: July 1922.

The 'American Cinematographer' departed the previous newsletter style, and went monthly in March 1922 starting the Third Volume. This is why the magazine is JULY but only No. 4 of the third Volume.

This magazine is simply beautiful. To think that the first man in Space wouldn't be until 1961, almost four decades later! Simply amazing and inspiring.

This magazine has many cool articles including a photograph (and caption) of C. Francis Jenkins, with a device he claims will "project films through radio waves"....

This sounded strange to me, so I looked him up...

...Turns out, (six years later after his photograph was published in AC magazine), he started his company "Charles Jenkins Laboratories"... the first to be granted a commercial television license in the United States. He was one of the fathers of Television! Wow.

American Cinematographer is history for sure!






This is my favorite page in the publication! (July 1922 Volume 3, No. 4)

This is the updates on what is going on in the club house. What we now call "Clubhouse News"

Mind you this edition (Vol. 3) is the first monthly magazine type print. The previous editions (Vol. 1 & 2) were simply newsletters.

This is probably why the "clubhouse news" section is hilariously personal and filled with inside jokes.

I have some of my favorite ones enlarged, later in this album.

Hilarious "Clubhouse News" like section from 1922 July Edition of AC magazine. Called "In Camerafornia"

Hilarious "Clubhouse News" like section from 1922 July Edition of AC magazine. Called "In Camerafornia"



"since he started automobiling fifteen years ago"
... god that makes it seem way older.

hahahaha
 
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Not to raise a dead subject and of which most don't care about... BUT!

I just (Finally) got my Cinematographic Annual 1930 Volume One, in the mail!

It was the first book which truly compiled and brought together all of the cinematography knowledge and technical information of the day. It later evolved into what we now know as the American Cinematographer Manual 9th Edition.
Other than the magazine, the most well-known publication of the ASC is the American Cinematographer Manual. The first edition was published in 1935 by Jackson J. Rose as The American Cinematographer Hand Book and Reference Guide. The Hand Book evolved from the Cinematographic Annual only published twice, in 1930 and 1931. Rose's handbook went through nine editions by the middle of the 1950s, and it was from this book that the modern American Cinematographer Manual originated. The first edition of the new manual was published in 1960, and is now in its ninth edition (2004).
So I open the book, and inside the front cover is a signature from a previous owner. It catches my eye and attention.

It turns out, my book was previously owned and signed by Clyde De Vinna, ASC. The second individual to have won the Academy Award for Cinematography (1928/1929).

My jaw almost hit the floor. I've sent a letter to the ASC for official confirmation, but I've found a document online which he signed and the signature is spot on identical.

Imagine that! I'm the happiest dork in the world right now!


I thought I would share this here, because my friends really don't care.
 
Incredible! That's a lucky find, Ryan.

I ordered the poster of the 1922 front cover after seeing this post. Mmm. History.
 
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