moving to LA!

yes i do suppose i can still film on my days off and still keep my job which i will do for atleast now. but making videos on my days off is more of a hobby. maybe i should come out with a film, distribute if capable and see how the career will go from there. there is also a lot of experience and people to meet along the way taking that route

My Granpa used to say, "Never quit your current job until you've landed the job to replace it."
 
yes nice story makes me not worry so much about "making it" but about hiring all this talent to help shoot my video is probably not going to happen. im too broke and theres enough expenses as it is. always open for interships tho lol.

a new wakeskate videp just premiered in orlando and it was created by one of the wakeskaters in the video and will be available in stores around the country (couple of my shots are in the video) but goes to show you that its possible to put out a video.

I think Kholi meant that you could be the person that gets paid to help make others' videos happen while you learn and make connections that will help you later.
 
im all for working an internship but thats difficult to find in the wakeboard film industry especially if im trying to stay local. a lot of the extreme sports videos require a lot of traveling. i dont see why i cant make my own video. create some after effects intro, film and edit parts for each rider, edit them to together and add some credits make some dvd menus, bonus footage and burn to dvd photoshop a dvd cover and its done all i have to worry about is distributing and advertising but since the wakeboard industry is still starting to get big i think all major websites would promote the video and a new wakeboard production company coming out. they do it all the time for others making videos
 
I think Kholi meant that you could be the person that gets paid to help make others' videos happen while you learn and make connections that will help you later.

That's what I meant. Help others make THEIR videos, like Jack also suggested earlier, and learn from other people's mistakes, goofs or successes. Then apply the knowledge.

Just make sure you pay attention, if that's the only thing that you can afford to do.
 
damn Kholi...that post seriously gave me the chills. someday, i'll share my story, but i really liked this one Kholi. Thanks for sharing.

Hahaha, wow, yeah that's quite the story, Kholi.


Mr. Light! Do share, man. Haha. It's cool to be able to talk about something OTHER than this stuff. X_x; Life Consuming.

It actually sounds like BS, now that I read it. LoL. But, it's the stripped down version, minus the yucky parts like when twelve-thousand dollars of gear got stripped from me.

That was one tough week, man. LOL!

Spolier Alert: In the end he gets the girl!!! :thumbsup:

LoL. A DIFFERENT girl, more than likely. That is an ENTIRELY different story and much more dramatic. Oi...

Wow Kholi...never put it together that you were from Atlanta. Nuff respect.

Nice story and definitely shows how it is done. Perserverence and sacrifice. Your company's work is impressive btw (mentioned it in another thread but you may have missed that one).

-Martay

ATL all the way! :thumbsup:


Yes! That's why I'm always quick to support the ATL crew. I lived (and worked) in the Marietta, Smyrna, Kennesaw, Cobb County area most of my life. Between all of the shopping malls, those were generally my homes.

One thing's for sure... home never changes. I go back and all of my friends are still the same, it's a nice reminder that you can ALWAYS return if things don't work out and everyone'll be happy to have you back.

Thanks for the compliments. We're trying to catch up to REEL ONE right now. >=P Feature time.
 
Yes

Yes

I'm sure there is as much if not more competition among directors for directing jobs as any other jobs, but I just have a different opinion of that too ;) A director who waits around to be hired or sends out his reel / resume to a bunch of producers is one step up from a grip in my mind.

The best path is to EP your own projects, raise your own funds, then hire yourself as director. That way you're not a hired gun, you're the EP, and you direct because you love it, but you're making a salary as the director and then you have a chance to make the real money as a producer. Even better if you write it, too.

That's what I plan to do, at least until I'd be doing studio work. If it's indie, I can raise the money, and if I can't raise the money because the project is too big, $10M+, it's time to find a studio. Indie film is all about track records and connections, find a few solid investors and make them money, then you just keep going with it.

Every job is tough, there is a lot of competition, but if you are the one putting together the film and raising the financing, it's your game. You don't have to wait to get hired, you're the one doing the hiring.
 
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