In my next project a character who lacks a soul is presented as this pasty-white slightly deformed individual.
At the end of the film he undergoes a gradual process that restores his soul and visually this is going to be presented by him changing back to normal.
I was sort of thinking about approaching this problem by doing a morph or gradual dissolve between the actor in make-up and the actor without make-up.
Does anyone with more experience then me have any thoughts on this? How to make it better, perhaps a solid approach?
-- Dean
At the end of the film he undergoes a gradual process that restores his soul and visually this is going to be presented by him changing back to normal.
I was sort of thinking about approaching this problem by doing a morph or gradual dissolve between the actor in make-up and the actor without make-up.
Does anyone with more experience then me have any thoughts on this? How to make it better, perhaps a solid approach?
-- Dean