Mixing CT question

Gohanto

Veteran
To my understanding, generally you set your camera to see tungsten or daylight as white. But how do you film a scene so that neither is white like the scene from "Catch Me If You Can" below?

Picture 006.jpg
 
White balance to a tinted reference, the color of which depends on the light you chose to balance from. For example, if you're going to white balance to the tungsten light, use a reference that is slightly tinted blue. This will preserve the warm look of the tungsten. Gel the other light to drive it towards cooler colors.
 
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