Hi everyone, nice to meet you. :smile:
I'm sorry for such a long post, but I'm relatively new to the world of editing, and I've tried to ask people and search for information myself, but I still don't know what to do sometimes or who to ask, especially on this particular issue:
I was given 1440x1080/29.97fps/upper fields Mpeg-2 footage from a Sony HDR-FX1000 and 1080x720/59.94fps/progressive .mov footage from a Canon EOS 5D, to make a 30" TV commercial for DV NTSC output, and YouTube/Vimeo.
The material is about tourism, so it's basically people smiling and walking around in different places, so I want to slow everything down a bit in Premiere Pro CS5 and then use Magic Bullet Mojo for color enhancement.
My main concern is mixing the 2 types of footage in a timeline to have optimal results when I export to 480i and 480p respectively. I've read you can put progressive footage in an interlaced timeline, but not otherwise unless you deinterlace.
1. Is it OK just to check the "Reverse field dominance" option for the 1080i material and apply time remapping at about 60-80% to both 1080i and 720p footage? Some people told me you need to check the "always deinterlace" option before doing time remapping on interlaced footage, but I read somewhere that it's not necessary if you're working on Premiere CS5. Is it true?
2. Should I work this in a DV NTSC standard 48 kHz sequence, scale everything to frame size, reverse the field dominance for the 1080i material, apply time remapping, apply Mojo, and then export to DV NTSC High Quality (720x480) with "lower fields". Then export again the same timeline, just changing to "progressive"?
3. Or should I work the one for TV output in a DV NTSC sequence, and the one for Internet in a DSLR 720p60 sequence?
Thank you kindly in advance, any help for this strange situation would be greatly appreciated. :smile:
I'm sorry for such a long post, but I'm relatively new to the world of editing, and I've tried to ask people and search for information myself, but I still don't know what to do sometimes or who to ask, especially on this particular issue:
I was given 1440x1080/29.97fps/upper fields Mpeg-2 footage from a Sony HDR-FX1000 and 1080x720/59.94fps/progressive .mov footage from a Canon EOS 5D, to make a 30" TV commercial for DV NTSC output, and YouTube/Vimeo.
The material is about tourism, so it's basically people smiling and walking around in different places, so I want to slow everything down a bit in Premiere Pro CS5 and then use Magic Bullet Mojo for color enhancement.
My main concern is mixing the 2 types of footage in a timeline to have optimal results when I export to 480i and 480p respectively. I've read you can put progressive footage in an interlaced timeline, but not otherwise unless you deinterlace.
1. Is it OK just to check the "Reverse field dominance" option for the 1080i material and apply time remapping at about 60-80% to both 1080i and 720p footage? Some people told me you need to check the "always deinterlace" option before doing time remapping on interlaced footage, but I read somewhere that it's not necessary if you're working on Premiere CS5. Is it true?
2. Should I work this in a DV NTSC standard 48 kHz sequence, scale everything to frame size, reverse the field dominance for the 1080i material, apply time remapping, apply Mojo, and then export to DV NTSC High Quality (720x480) with "lower fields". Then export again the same timeline, just changing to "progressive"?
3. Or should I work the one for TV output in a DV NTSC sequence, and the one for Internet in a DSLR 720p60 sequence?
Thank you kindly in advance, any help for this strange situation would be greatly appreciated. :smile: