Batutta
Major Contributor
Well it's a start--
http://tv.yahoo.com/news/michael-bay-apologizes-making-armageddon-151600765.html
http://tv.yahoo.com/news/michael-bay-apologizes-making-armageddon-151600765.html
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UPDATE: Bay, 48, is claiming that the Herald reporter misused his quotes to the paper. In a statement on his website, the director writes:
One press writer has gone too far in reporting false information. He has printed the bare minimum of my statement which in effect have twisted my words and meaning. I'm not in the slightest going to apologize for the third movie in my movie career, a film called Armageddon. On the red carpet for Pain & Gain some reporters asked me what are you apologizing for, and I said what on earth are you talking about?
What I clearly said to the reporter, is I wish I had more time to edit the film, specifically the the third act. He asked me in effect what would you change if you could in your movies if you could go back. I said, I wish we had a few more weeks in the edit room on Armageddon. And still today Armageddon, is still one of the most shown movies on cable TV. And yes, I'm proud of the movie. Enough said.
Another atypical thing about Pain & Gain: Bay, who is known for hyperkinetic editing, still delivers the beautiful visuals, but he actually holds on shots and characters’ faces for longer than two seconds, giving you time to take them in.
“It’s really funny,” he says. “People have always given me a hard time on my editing. But if you could do a graph on my movies, you would see how my editing has slowed down over the years. Bad Boys was my first movie, and we cut that quite fast. Back then it was very new for action. Now you see a lot of that imitated. Call it what you will. Yes, critics have given me s--t about it. But when you watch the Bourne Identity movies, they are cut way faster.
“I will apologize for Armageddon, because we had to do the whole movie in 16 weeks. It was a massive undertaking. That was not fair to the movie. I would redo the entire third act if I could. But the studio literally took the movie away from us. It was terrible. My visual effects supervisor had a nervous breakdown, so I had to be in charge of that. I called James Cameron and asked ‘What do you do when you’re doing all the effects yourself?’ But the movie did fine.
“ Pain & Gain stylistically still has a poppy vibe, but often it’s just actors acting and you can just point your camera at them and let them go. And it shows Miami in a really interesting texture. It’s still glossy, but different. They gave me the key to the city, which is kind of cool, because I make Miami look good in the movie, and it gets out and travels around the world. I have a home in Miami, and what I love about this city is that it feels small town in a weird way. I grew up in L.A. and it’s way too big. Miami’s got a lot more soul. It’s one of the greatest cities in America.”
But Bay says Miami is also particularly fertile ground for bad behavior.
“Crazy stuff can happen anywhere, but this story happens to be very Miami. We’re trying to make our bodies beautiful and keep up with everyone else. But then someone like Lugo comes along and thinks, ‘I’m going to steal from that guy and live in his house and then I’m going to be a good person in the community and have a neighborhood watch and play with the kids in the neighborhood.’ And he doesn’t think anything of it. It’s so bizarre.”
The only movie he needs to apologize for is Transformers 2.
Not 3 as well?