atlfilmguy
Well-known member
I have been a DP since 1994, I usually use a pro editor, but have been getting more into editing lately. I used to make only films, but now it is almost all HD. I know some of this but I want clarification that I am on the right track. Please assume I know nothing....
I understand that computer monitors and TVs are way different in regards to the dynamic range they show. I also know that DVD compression will reduce some dynamic range.
Most people on this board note that the DVD makes their rendered project appear "darker". I find that mine is not only darker in parts, but just right in some and way over exposed in others.
I think this is all fixable by use of color and luma correction in vegas.
Which are the best and tools for fixing these issues?
Luma: HSL adjust, levels, Brightness and Contrast?
Color? What about Colorvista?
Can all this be avoided by correctly setting up a production monitor?
See: http://66.225.214.124/~dvxuser/V6/showthread.php?p=1326265#post1326265
When I use the above filter/correctors with the waveform monitor up, do I need to have every bit of the signal between 7.5 IRE and 100 Ire? I know for asthetic reasons it is ok to have some above, but what about being refused by broadcasters?
I use raylight. What is the best Intermediate and final codec to use within the .avi and .mov wrappers for the following situations. Assume all is HD 720 24pN.
Windows:
Avi for clients that do not have raylight codec? - this is a big one for me.
Viewing HD content on a computer?
Intermediate for archiving and CC?
DVD for end user?
HD for use on Vimeo?
Projection?
Any other fun codecs you know about.
Mac, RE .mov:
HD MOV for clients with quicktime on either mac or windows?
Thanks for your time and I love this resource.
I understand that computer monitors and TVs are way different in regards to the dynamic range they show. I also know that DVD compression will reduce some dynamic range.
Most people on this board note that the DVD makes their rendered project appear "darker". I find that mine is not only darker in parts, but just right in some and way over exposed in others.
I think this is all fixable by use of color and luma correction in vegas.
Which are the best and tools for fixing these issues?
Luma: HSL adjust, levels, Brightness and Contrast?
Color? What about Colorvista?
Can all this be avoided by correctly setting up a production monitor?
See: http://66.225.214.124/~dvxuser/V6/showthread.php?p=1326265#post1326265
When I use the above filter/correctors with the waveform monitor up, do I need to have every bit of the signal between 7.5 IRE and 100 Ire? I know for asthetic reasons it is ok to have some above, but what about being refused by broadcasters?
I use raylight. What is the best Intermediate and final codec to use within the .avi and .mov wrappers for the following situations. Assume all is HD 720 24pN.
Windows:
Avi for clients that do not have raylight codec? - this is a big one for me.
Viewing HD content on a computer?
Intermediate for archiving and CC?
DVD for end user?
HD for use on Vimeo?
Projection?
Any other fun codecs you know about.
Mac, RE .mov:
HD MOV for clients with quicktime on either mac or windows?
Thanks for your time and I love this resource.