Lighting advice

modernPrimitive

Active member
Hi,

I need a little advice lighting my first production as I have little on-set experience with lighting.

The first scene will take place on a shaded veranda. There should be a good deal of adequate ambient light coming in from the sky - either clear or overcast (we'll see on the day). My question is whether I'll need to boost the ambient light and what sort of kit I would need to do that. Gels to neutralize the lights (blue sky vs overcast etc) and diffusers to soften them. I need to light to look completely natural and neutral and not like a "point light source". I'll probably shoot reasonably wide at around f/3.2 - f/4. Would a reflector be adequate for this scene?

The second scene takes place in-doors in the early 1900s in rural South Africa so the scene must look as though it's lit entirely by oil lamps or candles. This scene will be reasonably low-key so lot's of shadow but I'm not sure how to emulate oil lamps withe a lighting kit. I was thinking of just bouncing a redhead with warm gels off one walls and having another redhead with a warm gel as a key with the barn doors fairly closed but I'm not sure that's going to look like candle light. Not sure if I should even attempt to emulate some sort of flame flicker for this one.

Please help. Any advice would be much appreciated.
 
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Honestly, getting lighting to look natural and motivated is something that only comes with experience and a lot of trial and error. I would suggest that you get an experienced DP involved if possible. Without actually being there, there's nothing that anyone in this forum can say that will explain exactly how to light your specific project.

As far as imitating oil lamps, one fairly cheap technique I've used in the past is having a chinaball or two up on c-stands and then using dimmers to flicker the light a bit. If you have actual oil lamps, you might even be able to use them to generate the slight flicker and use your lighting to create motivated ambience.
 
1- Reflectors work better on low budget than lights. If you have the budget, silk over head (unless cloudy) and use a 1.2k HMI with 1/2CTO to motivate morning or afternoon sunlight.

2 - China ball or pancake with apron would give you better shadows. Full CTO helps with the candle color. If sound is not an issue, have a PA waive ND and CTO in front of the light to emulate subtle fliker. On the CUS, nothing beats a flame bar. I made one from a propane torch and copper tubing very cheap.


Jason
 
Jason, I'm always trying to learn. Explain the pancake and apron to me please. What is the fixture?

I hang duvey skirts from China balls all the time and I've heard of a China ball hung from a solid.
 
Hi Slondon - a pancake with apron is my vernacular for Chimera's 'flattened china lantern with skirt' product: http://www.bhphotovideo.com/c/product/218656-REG/Chimera_1870_Pancake_Lantern_Softbox_with.html

It is the same thing you are doing with the china and duvetyne but costs $500. The key is to keep light off the walls and yet have a soft glowing source. If one was trying to directly emulate a candle, than it would be a hard slightly moving source, but I find a warm soft source works very well.


Jason
 
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