Just outside earlier today testing out Cine-V. I've veered away from everything but B.Press for so long, so just trying something different. It's 720p and compressed H.264 via compressor. Not the BEST compression job, but you get the idea.
Clip: http://www.megaupload.com/?d=PG1XKA9A
Lens 1: 50mm Zeiss Jenna Tessar 2.8 @ 2.8, 4, 5.6, 8
Lens 2: 50mm Nikon 1.4 @ 2.8, 4, 5.6
HVX: 108024p, Wide Open, 180.0d, 1/250th
See if anyone can tell me which lens is Zeiss and which one is Nikon before I spill it.
Also, the apparent ground glass shot (you'll see it) was at f8 on the lens, which I think is pretty dang good for no sun.
At 5.6 I'm fine with the grain, and it looks more like natural HVX noise. At f8 it's pushing it.
There's also some zooming going on. For those who were wondering about what the Letus EX owners were talking about, you can see me playing with the Zoom between 27.3 and 55, popping it in and out. There's no way I could do that with my M2, and I've been told that you can't do it with any of the other adapters either.
The effect, when combined with a 1/250th shutter, reminds me of the same effect used in RUNNING SCARED (Mark Whalberg) and I love it. Just gotta figure out a way to use it!
It's just a purple flower, no music, quick I'm-going-outside-to-see-how-this-scene-file-looks kinda deal.
Clip: http://www.megaupload.com/?d=PG1XKA9A
Lens 1: 50mm Zeiss Jenna Tessar 2.8 @ 2.8, 4, 5.6, 8
Lens 2: 50mm Nikon 1.4 @ 2.8, 4, 5.6
HVX: 108024p, Wide Open, 180.0d, 1/250th
See if anyone can tell me which lens is Zeiss and which one is Nikon before I spill it.
Also, the apparent ground glass shot (you'll see it) was at f8 on the lens, which I think is pretty dang good for no sun.
At 5.6 I'm fine with the grain, and it looks more like natural HVX noise. At f8 it's pushing it.
There's also some zooming going on. For those who were wondering about what the Letus EX owners were talking about, you can see me playing with the Zoom between 27.3 and 55, popping it in and out. There's no way I could do that with my M2, and I've been told that you can't do it with any of the other adapters either.
The effect, when combined with a 1/250th shutter, reminds me of the same effect used in RUNNING SCARED (Mark Whalberg) and I love it. Just gotta figure out a way to use it!
It's just a purple flower, no music, quick I'm-going-outside-to-see-how-this-scene-file-looks kinda deal.